Re: keys that don't sound good
In my observation, such as it is, playing a scale that includes open strings, as opposed to one where every note must be fretted, produces a "fuller" sound.
Also: no instrument's fretboard is perfect, and the frets are placed in a "tempered" scale, which includes some pitch compromises to make every note sound "close enough," as opposed to a "perfect" scale, which unfortunately will only work in one key. (I recall the classical guitarist who played an instrument with detachable fretboards, so he could get a "non-tempered" scale for whatever key he played in; the frets were located with subtle differences, so he had his "C" fretboard, his "G" fretboard, etc., etc.)
Assume that the tempered scale is computed from the nut, and starts with the unfretted string. If you then start a scale from the first fret, might it not sound slightly "off?"
I yield to the more knowledgeable among us, to tell me I'm totally off base,,
Allen Hopkins
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