The second of this batch. Englemann soundboard and the back and sides of celery-top pine, a fairly heavy softwood from Tasmania, quite similar to Douglas fir (which is known here as Oregon pine for some reason). The neck is Black-heart sassafras (also from Tasmania) with a rosewood fingerboard and the head overlay from a piece of African blackwood cut from a chunk a friend gave me a few years back. Tortoiseshell celluloid binding, StewMac Golden Age tuners and an Ashton Bailey tailpiece.A bit lighter in sound than the Blackwood bodied mandolin and the Englemann left a little thicker than the really stiff Sitka on the other one.
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