Could it be that the reason that some people don't like what Tony Rice or Chris Thile or Noam Pikelny are doing and saying "that ain't bluegrass" is because they are jealous that they can't play like those guys? Or, maybe they just don't understand where they are coming from? I'm sure that Bela Fleck gets a lot of grief from some of the old-timers for the way he plays banjo. If you were to interview any of the guys from "Newgrass Revival" I think you would find that they more than respect what Monroe, the Stanleys, Don Reno/Red Smiley and others before them and they pay homage to them by being themselves and playing what is inside of them. What they feel and hear. While I don't always understand what Chris Thile is doing on the mandolin, I do think that he has done wonders in getting younger people interested in the mandolin (along with Sam Bush). I always feel inspired to try and play better when I hear what they are playing. Something fresh and new. You don't have to agree with what Tony or any of the others do or you don't even have to like it, but let's not tear somebody down just because they do something different.
Now, back to the OP. Yes, there were other guitar players before Tony that did play lead in bluegrass. I am glad that someone mention the work of Bill Napier. While his style was completely different than what Tony (or Clarence) did, he was still innovative and it fit well with the music that the Stanley's were playing.
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