Hey all,
Was looking at a Boss AD-2, but am now reconsidering and looking for a preamp for $200 or less. Any recommendations would be greatly appreciated! Zoom A3 has been recommended to me, as one. Thanks.
Hey all,
Was looking at a Boss AD-2, but am now reconsidering and looking for a preamp for $200 or less. Any recommendations would be greatly appreciated! Zoom A3 has been recommended to me, as one. Thanks.
Collings MT-O Sunburst (2014)
Kentucky KM630 (early 1990s Korean) w/ K&K Twin Internal
Vega K-Style Mandolin Banjo (1917)
Vega N-Style 17-Fret Tenor Banjo (1922)
Deering Goodtime 2 5-String Banjo w/ Resonator
Maybe a better question is, can you use preamps with mics?
Collings MT-O Sunburst (2014)
Kentucky KM630 (early 1990s Korean) w/ K&K Twin Internal
Vega K-Style Mandolin Banjo (1917)
Vega N-Style 17-Fret Tenor Banjo (1922)
Deering Goodtime 2 5-String Banjo w/ Resonator
It would help if you explained what you need the preamp for, exactly?
It will run perfectly well from a 1.5v AA cell, so you don't even need phantom power with this one, and has a fairly healthy output level too (3.5mv/Pa) so you don't nee masses of gain either on any desk or input...
Normally, you would just run this straight into the mic input on on the mixer, or into the mic input of any recording interface.
Gibson F5 'Harvey' Fern, Gibson F5 'Derrington' Fern
Distressed Silverangel F 'Esmerelda' aka 'Maxx'
Northfield Big Mon #127
Ellis F5 Special #288
'39 & '45 D-18's, 1950 D-28.
What Almeriastrings, said...
If you do need a preamp, you actually would want a mic preamp. This is good news, as there are a lot more quality choices for mics.
Robert Fear
http://www.folkmusician.com
"Education is when you read the fine print; experience is what you get when you don't.
" - Pete Seeger
Collings MT-O Sunburst (2014)
Kentucky KM630 (early 1990s Korean) w/ K&K Twin Internal
Vega K-Style Mandolin Banjo (1917)
Vega N-Style 17-Fret Tenor Banjo (1922)
Deering Goodtime 2 5-String Banjo w/ Resonator
Collings MT-O Sunburst (2014)
Kentucky KM630 (early 1990s Korean) w/ K&K Twin Internal
Vega K-Style Mandolin Banjo (1917)
Vega N-Style 17-Fret Tenor Banjo (1922)
Deering Goodtime 2 5-String Banjo w/ Resonator
Does your acoustic amp have a mic input?
THE WORLD IS A BETTER PLACE JUST FOR YOUR SMILE!
In other words - a three pin XLR? Next question? Does it supply phantom power, if it does (if not, do you have a fresh AA cell installed into the mic?).
Gibson F5 'Harvey' Fern, Gibson F5 'Derrington' Fern
Distressed Silverangel F 'Esmerelda' aka 'Maxx'
Northfield Big Mon #127
Ellis F5 Special #288
'39 & '45 D-18's, 1950 D-28.
Have you tried setting the mic in other positions to see if you get better bass response?
If your amp does not provide phantom power and you want to warm up the sound, I think a tube preamp would be a good idea.
Check out the Presonus TubePre.
https://www.presonus.com/products/tubepre-v2
If your Acoustic amp has a dedicated XLR Mic input, you shouldn't need anything. Just do some experimenting.
IF your acoustic amp does not have a dedicated XLR input, I am a big fan of of the ART MP Preamps. They are not high-end by any means, but they do have phantom power and do a good job. They are not meant to be accurate preamps and color the sound. At under $100, They are a great thing to have around when you need a mic pre, direct box, or want to warm something up. These are not ideal for piezo pickups. For everything else, thumbs up.
If you want additional controls, these are generally referred to as "Channel Strips". These tend to get REALLY expensive, but there are a few nice budget offerings From PreSonus, DBX, Art and Joe Meek. On the lower end of the price spectrum, the ART Pro Channel II is pretty cool. I love that they have a dedicated Low-Cut that goes to 200hz (the frequency of the low G on mandolin).
Again, this is not high-end gear, but for stage and project studio, they are nice tools to have. I would take one of these over an acoustic preamp (assuming you are not using a Piezo pickup).
Robert Fear
http://www.folkmusician.com
"Education is when you read the fine print; experience is what you get when you don't.
" - Pete Seeger
I knew Robert Fear knew mandolins, he seems to know sound equip. too. He's bound to be right because he agrees with me.
Collings MT-O Sunburst (2014)
Kentucky KM630 (early 1990s Korean) w/ K&K Twin Internal
Vega K-Style Mandolin Banjo (1917)
Vega N-Style 17-Fret Tenor Banjo (1922)
Deering Goodtime 2 5-String Banjo w/ Resonator
Should you get the mic to work with your acoustic amp, the next problem you're likely to encounter is feedback. In order to overcome this, you'll either have to turn the volume down or position your amp very carefully in relation to the mic - possibly directly behind it (facing the XLR plug).
The Zoom I suggested in your other thread, however, has the facility to introduce three notch filters which will filter out the worse of the feedback frequencies so this might be a reasonable option. The zoom also has an array of effects but how to save and use them effectively has, so far, largely defeated me. If anyone can can point me at an idiots guide, I'd be grateful!
Whilst using a mic into an acoustic amp is an option, particularly as you already have the bits and pieces, personally it wouldn't be my first solution. Pickups?
Robert came of age during the era of hair bands and one of his first jobs as a teen was running sound for one. I pursed live sound/recording right up to the point of starting Folkmusician. Now I do it off and on as a sideline.I knew Robert Fear knew mandolins, he seems to know sound equip. too. He's bound to be right because he agrees with me.
I also own the SM94 and the SM81.
Robert Fear
http://www.folkmusician.com
"Education is when you read the fine print; experience is what you get when you don't.
" - Pete Seeger
Might like a 2 mic + a couple line channels sub mixer , with some more features , perhaps ? dont cost much.
Add a multiband EQ in an effects loop out of it, if its 2 or 3 bands is not enough..
In another thread, asked about the Boss AD2, this, for example , costs half what that does
http://www.musiciansfriend.com/pro-a...enyx-502-mixer
Last edited by mandroid; Mar-17-2018 at 6:45pm.
writing about music
is like dancing,
about architecture
Collings MT-O Sunburst (2014)
Kentucky KM630 (early 1990s Korean) w/ K&K Twin Internal
Vega K-Style Mandolin Banjo (1917)
Vega N-Style 17-Fret Tenor Banjo (1922)
Deering Goodtime 2 5-String Banjo w/ Resonator
Collings MT-O Sunburst (2014)
Kentucky KM630 (early 1990s Korean) w/ K&K Twin Internal
Vega K-Style Mandolin Banjo (1917)
Vega N-Style 17-Fret Tenor Banjo (1922)
Deering Goodtime 2 5-String Banjo w/ Resonator
Collings MT-O Sunburst (2014)
Kentucky KM630 (early 1990s Korean) w/ K&K Twin Internal
Vega K-Style Mandolin Banjo (1917)
Vega N-Style 17-Fret Tenor Banjo (1922)
Deering Goodtime 2 5-String Banjo w/ Resonator
I am not a fan of inexpensive tube gear. Yes, you run a signal through a tube, but unless you have a power supply with significant voltage, witch is big, heavy (transformer), and expensive, you really aren't getting the true tube sound. All those amps with one tube in the front end were just so much bs marketing. One tube run at low voltage does not a blacktop super reverb make.
Just look at some of the power supplies provided with tube mics for instance.
I will cop to owning a Bellari phono stage/ headphone amp, but most of the tone is solid state. Still, it did benefit from a good tube, something which low end tube gear never has.
Silverangel A
Arches F style kit
1913 Gibson A-1
I agree here, but the Tube MP is still the best thing I have heard for the price. Maybe despite the tube though. haha.I am not a fan of inexpensive tube gear. Yes, you run a signal through a tube, but unless you have a power supply with significant voltage, witch is big, heavy (transformer), and expensive, you really aren't getting the true tube sound. All those amps with one tube in the front end were just so much bs marketing. One tube run at low voltage does not a blacktop super reverb make.
My Art TubePac is an Early US made version, but the new ones seem fine. I was actually involved with a recent "no budget" project where we recorded a Hall of Fame member with one. This was done live at a house in one take. There was not a lot of planning, and no other gear available. Granted, the recording was not exceptional, but we did it, and it got worldwide airplay.
Robert Fear
http://www.folkmusician.com
"Education is when you read the fine print; experience is what you get when you don't.
" - Pete Seeger
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