Beltone Mandolin http://r.ebay.com/bFhDcB
Beltone Mandolin http://r.ebay.com/bFhDcB
Most of the Beltone's I've seen have appeared to be different than the Strad-O-Lins to me. That one has some very similar traits and I'm not talking about the f holes. That one I'm not too sure about, it could be.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
Those were made under a number of brands (Blue Comet, Medallion, Beltone, etc.) I had one a number of years ago. AFAIK they are always made of laminated wood.
Mike, what SOL-traits do you see in that one?
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
The neck heel, the transition of the neck to the headstock.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
The Mugwumps Index of American Fretted Instrument Makers lists "Beltone" as a trademark of the early 20th century New York distributors Perlberg & Halpin. Evidently they sold instruments from a variety of manufacturers.
Here's what Lardy's Ukulele Database has to say about Perlberg & Halpin and Beltone:
(Harry) Perlberg & (Abe) Halpin were New York instrument distributors from 1910 to the some time in the 1930's (in 1927 Abe Halpin left the company and it became Harry Perlberg Co. and I can't find references to it after 1929 so it is possible it was a victim of the Wall St. Crash?) They are one of those names that Martin is suppose to have made some instruments for, (records indicate they did, but only 12 Ukuleles, 15 Guitars and 10 Mandolins)
Their main "house" brand was Beltone under which they distributed the whole range of fretted instruments, Guitars, Banjos, Mandolins and of course Ukuleles and Banjoleles. (The brand name Beltone was registered again in 1962 and used on Japanese Imported Ukuleles but I don't think this had anything to do with P&H?) They also used the name Wapiti on Ukuleles, and possibly other instruments(?), while they were still P & H
They may have had other house brands, Blue Comet is a name that crops up but I can find no conclusive link, and as a distributor they distributed a number of instruments they didn't directly brand. I have seen an article saying Nonpareil Ukuleles were added to the 1926 catalogue and an advert saying they distribute them. I can find nothing on Nonpareil that isn't linked through P&H...
The fact that these distinctive resonator mandolins were sold under the "Beltone" and "Blue Comet" brands, as well as others, makes one wonder whether they were sold through P&H and also other distributors -- or, alternatively, that both the brands were distributed by P&H. The Mugwumps Index doesn't list "Blue Comet," so no help there.
The one-distributor theory might imply that some of the resonator mandolins could have been manufactured by whoever made Strad-O-Lin mandolins (Homenick brothers? Favilla? We don't know). The one-source theory would be that one factory made all the resonator mandolins, and they were distributed by P&H and maybe some other distributors, under different brands.
I don't hear anyone contending that all these faux-resonator mandolins were made by the Strad manufacturer. Possible? Maybe, but IMHO unlikely.
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
They definitely weren't all made by the same manufacturer. There are real differences across the spectrum.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
I believe during the great depression, instrument manufacturers were more concerned with making a living (not an easy thing from November 1929 through the early 1940's). I doubt Gibson would make an instrument today & put your name on it. However, back then it was more common place to do so. Hence all these additional names, like this "1930s" Medalist Resonator Mandolin http://r.ebay.com/P4AsOC Although don't think this Medalist is from the 1930's because of the cogs on the tuners, instead of screws.
I don't think it was only during the Depression. Companies like Lyon & Healy, Vega, Martin, Gibson, Kay and Harmony sold wholesale to other companies and retailers to sell under their own brands. For instance, Martin made the first dreadnaught guitars for Oliver Ditson circa 1916.
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
These mandolins with a banjo-style "resonator" back are often said to be built by Regal, but they definitely were not. The most likely candidate was the old Oscar Schmidt factory in Jersey City; after WWII, it was run by United Guitars (builders of Premier, Orpheum, and other catalog-brand guitars). These mandolins appear in post-War catalogs from the same distributors that sold United-built guitars, mainly Peter Sorkin out of NYC.
As it happens, I think it's likely that the same factory also did produce some (but not all) Strad-o-lin mandolins.
www.OldFrets.com: the obscure side of vintage instruments.
Speaking of Blue Comet, just came across this Blue Comet oval hole, definitely needs some work but might be of interest to some. NFI. An interesting example to look at regardless.
There are two basic versions of these I have seen. The one that looks like it has a resonator built-in (that juts out) and one similar to this oval but with the same plastic-rimmed holes. This eBay one looks like the second but without the holes in the top.
Here's the eBay one (full pic is lightened for detail):
Here's the model with the holes:
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
...and then there's this, SOL inspired f-holes Stella Electric Guitar E201 http://r.ebay.com/fEjyh1
I should have clicked the link.....
Last edited by Jeff Mando; Mar-15-2018 at 11:04am. Reason: perfection and correction, all in a day's work
It's a Japanese-built guitar, as it says on the label.
www.OldFrets.com: the obscure side of vintage instruments.
The other thing to note is that Kay, Harmony, and Regal all used segmented f holes at times early on. It wasn't a Strad-O-Lin exclusive and even Strad-O-Lin used different style F holes at different times in their history. I see no connection between this guitar and any Strad-O-Lin.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
Of course. It's shill bidding.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
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