All of this is true, and yet it doesn't change the
perceived sound that you're hearing, which can influence one's judgement of a particular mandolin in isolation. Which is what the OP was talking about.
When I move from my practice room/library in my house, which is very "soft" in acoustic terms, and also somewhat short reflection, to the big room where we invite friends over to play, which is much larger with a mix of early and late reflections.... my mandolin suddenly sounds twice as expensive in that room with better acoustics.
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