Page 3 of 3 FirstFirst 123
Results 51 to 55 of 55

Thread: Flattops and quality of tone

  1. #51
    coprolite mandroid's Avatar
    Join Date
    Oct 2002
    Location
    Outer Spiral Arm, of Galaxy, NW Oregon.
    Posts
    17,123

    Default Re: Flattops and quality of tone

    I like my Hodson D'jangolin it has its own tone, light nickle wound G&D strings Newtone..
    writing about music
    is like dancing,
    about architecture

  2. #52
    Registered User
    Join Date
    Jan 2014
    Location
    Essex UK
    Posts
    1,066

    Default Re: Flattops and quality of tone

    Peter inspired me to record my Hathway M1 flatop and my Flatiron Festival A archtop, they were both made in the early 90s on different sides of the pond, I think the Hathway has a cedar top and mahogany back and sides, not sure about the Flatiron as it's a black top. I sat in the same place and used the same plectrum for both, strings are as mentioned above and the Newtones on the Hathway are a few days old wheras the FW74s on the Flatiron are several months old.

    I thought there would be more of a difference, there certainly seems to be when you play them.
    Attached Files Attached Files
    - Jeremy

    Wot no catchphrase?

  3. #53
    Mandolin & Mandola maker
    Join Date
    Sep 2002
    Location
    Bega NSW, Australia
    Posts
    1,427

    Default Re: Flattops and quality of tone

    The fact they sound similar is no surprise. This is as close to apples to apples comparison I can do at the moment. Same builder, mandolins made very recent, and recorded under the same conditions. Unfortunately the backs are not the same woods, so with the same woods they would sound even more similar, but I can do that comparison at the moment. Many of you are not comparing apples with apples. So for example comparing a Sobell with anything else is not really a valid comparison. Any way it confirms my claim that my flattops can sound as good as an archtop mandolin, something that some people don't believe. The differences are more obvious when you play them, because you get a feel for the instrument that you don't get in a recording.
    Peter Coombe - mandolins, mandolas and guitars
    http://www.petercoombe.com

  4. The following members say thank you to peter.coombe for this post:


  5. #54

    Default Re: Flattops and quality of tone

    Quote Originally Posted by derbex View Post
    I thought there would be more of a difference, there certainly seems to be when you play them.
    These both sound great, as do Peter's instruments. Which is which? Is the Flatiron the first one?

    EDIT - I just noticed the initials. I want one of those Hathaways -- too bad he's in England!

  6. #55
    Registered User Tim N's Avatar
    Join Date
    Apr 2016
    Location
    Germany
    Posts
    169

    Default Re: Flattops and quality of tone

    Quote Originally Posted by derbex View Post

    I thought there would be more of a difference, there certainly seems to be when you play them.
    To my ears, the sound of the Flatiron arch top is a bit softer and not quite so resonant, whilst the Hathway is slightly rawer, but somehow with more depth. Hard to say,really, but even wit laptop speakers I detected a difference. Could be the strings as much as anything....?
    "What's that funny guitar thing..?"

Bookmarks

Bookmarks

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •