Results 1 to 4 of 4

Thread: Monroe Downstrokes

  1. #1

    Default Monroe Downstrokes

    Been listening to alot of Bill lately. Did he use all downstrokes? Really like his style, really trying to emulate the style sorta.

  2. #2
    Registered User Ivan Kelsall's Avatar
    Join Date
    Mar 2006
    Location
    Manchester - Lancashire - NW England
    Posts
    14,187

    Default Re: Monroe Downstrokes

    No - he used a combination of both up & down strokes - although,over the years his style varied quite considerably. He went through a phase where he used a lot of downstrokes & he sounded pretty discordant at times. I think that Bill Monroe liked to 'try out' various styles of pickng,just to see/hear what would work - IMHO,some things worked better than others.

    Don't get stuck in one picking style & over-use it. Try ''various styles'' & use the bits that swing it for you - like most of us do,
    Ivan
    Weber F-5 'Fern'.
    Lebeda F-5 "Special".
    Stelling Bellflower BANJO
    Tokai - 'Tele-alike'.
    Ellis DeLuxe "A" style.

  3. The following members say thank you to Ivan Kelsall for this post:


  4. #3
    Registered User grassrootphilosopher's Avatar
    Join Date
    Mar 2007
    Location
    Germany
    Posts
    2,126

    Default Re: Monroe Downstrokes

    Quote Originally Posted by JamesHall77 View Post
    Been listening to alot of Bill lately. Did he use all downstrokes? Really like his style, really trying to emulate the style sorta.
    Ivan´s answer is correct of course. Yet, there is more to it.

    Monroe used downstrokes (a lot) on bluesy breaks (think the intro to "Brand New Shoes").

    Also, when required he uses upstrokes to play "stand-out-notes". Check out this very nice example of "Uncle Pen":



    The solo starts with an downstroke followed by a number of upstrokes for emphasis of the musical idea.

    Also notice in this video that the hand moves even when no notes are being played. I think that this is one of the key element of the Monroe style (keep the motion going).

    Here´s a downstroke intro into "A Voice From On High":



    On faster numbers a flowing down-up series of notes is the typical solo aproach. See this on classics like "Roanoke":



    and "Bluegrass Breakdown":



    In "Bluegrass Breakdown" syncopated downstrokes (respectively upstrokes) are used also.

    All in all check out the two volume videos by Homespun Tapes about Bill Monroe´s mandolin style:



    Sam Bush analyses Bill Monroe´s mandolin style in the second video: https://www.homespun.com/shop/produc...-monroe-dvd-2/

    I highly recomend these videos in addition to listening to Monroe in order to get a grasp on the approach.
    Olaf

  5. The Following 2 Users Say Thank You to grassrootphilosopher For This Useful Post:


  6. #4
    Registered User wildpikr's Avatar
    Join Date
    Oct 2007
    Location
    Louisiana, USA
    Posts
    703

    Default Re: Monroe Downstrokes

    Quote Originally Posted by JamesHall77 View Post
    Been listening to alot of Bill lately. Did he use all downstrokes? Really like his style, really trying to emulate the style sorta.
    Chris Henry's explanation might help your efforts...

    https://www.youtube.com/watch?v=gAJntStm3gA
    Mike

    Those who think they should think, like they think others think they should think, need to think out their thinking, I think.

    No envejecemos, maduramos. -Pablo Picasso

  7. The Following 3 Users Say Thank You to wildpikr For This Useful Post:


Bookmarks

Bookmarks

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •