Looks like it was originally a ladder braced guitar and somebody decided to make it x-braced. The work looks OK. In theory, it should improve the sound.
Thank you.
I was concerned about the pieces by the bridge and by the neck.
The pieces by the bridge and neck look pretty standard to me.
Bill
IM(NS)HO
Has converted from ladder to cross-bracing, and the pattern is pretty standard. That transverse brace above the soundhole is very substantial, especially if you are going to have a 4-string tenor rather than a 6-string guitar. The finger braces are all too short to reach the linings, si should not make a lot of difference either.
I'm playing all the right notes, but not necessarily in the right order. - Eric Morecambe
http://www.youtube.com/user/TheOldBores
Lots of problems with those braces.
Yes, it is someone's conversion from ladder bracing, but the braces are all look bigger than needed, the joint of the X-brace is not well done, the ends of the new braces need to be tapered, the bridge plate is bigger than needed for a tenor, looks like the top wasn't cleaned up very well so I would be suspicious of the glue joints...
One thing, though. The back is already off, so that's a good start for removing the braces once again, cleaning up all the old glue and starting over with a well designed tenor guitar bracing pattern.
John Hamlett
www.hamlettinstruments.com
Stella was not exactly a quality outfit. I think you could find a better base for your project.
I would love to get in there with a sharp chisel & reshape those brasses....
I actually have the same model Stella intact, but the neck is bowed after the 8th fret.
I use it for slide and it has a surprisingly rich sound with good projection.
Actually when Stella was an Oscar Schmidt brand name they were decent guitars and mandolins. After Harmony purchased the name not so much. I used to buy those 60's Stella (Harmony) tenors brand new that people rave about as having mojo these days. They were actually akin to playing a cheese cutter nailed to a baseball bat with frets.
https://en.wikipedia.org/wiki/Stella_(guitar)
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
I have one of them. It is a POS and probably only sounds good because of age and luck. No binding etc..
Its pretty decent for what it is, I bought it a a thrift store for $35 and spent another $30 fixing it.
The frets are decently thick, not wires on it... so maybe it predates what you are talking about.
It also has a really cool STP bumper sticker on the back. I think its an original sticker with so much mojo... I left it on.
But I regret it any time I try to do more than a little e/a/d string hammer-ons
Look for a number inside, it will be something like F-67 or S-72. That does look like an original STP sticker by the way. I used to pour that stuff in my engine now and again in those days as well. They gave the sticker away at car shows and drag races and other events.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
Not a model number, that's a date of 1963
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That STP sticker takes me back.......In 1965, I stuck a couple of those in the corner of the rear windows of Dad's brand new 1965 Buick LeSabre -- our family car, and only car at that time. Well, Dad worked at an office building, not a race track, so needless to say he noticed the stickers before going to work one morning, but didn't have time to remove them......yep, I got yelled at if I remember correctly.....
That Harmony date code means this guitar was built in the First half of 1963. It's a Harmony. The Oscar Schmidt's were very different and much earlier. The only similarities were that they had strings and the same name on headstock.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
I just did some extensive work on what I believe to be an early 50s archtop, likely out of the Harmony factory but with Stella build quality. The neck angle was way off, so I did a cheater neck reset by taking the back off and gluing it back on after pulling the neck back. You then trim the excess back that hangs over the side at the neck block. Since the binding was painted on, I bound the back with plain white binding.
The braces in the guitar were huge, of indeterminate wood, but they were glued solidly, so I tapered and thinned them down some. Hard to say if it had any effect because the break over the saddle is so much better.
I also glued in a set of JJB pickups while the back was off, and did my first refret. Turned into a fun guitar, especially as I bought it just to practice on before I fret and bind my mandolin build. Gotta love the fake paint on those old Stellas.
Silverangel A
Arches F style kit
1913 Gibson A-1
I have a '50s Silvertone along these same lines. It's been in my family's house forever. The back was cracked in several places, and nearly off the instrument anyway. So I removed it, cleaned off the old glue as best I could, closed and cleated the cracks, smoothed out the rough braces, and reattached the back.
Total amateur hour repair work -- but darn if it isn't a fun, jangly, old-sounding axe. Neck angle was fine, probably because it's been missing strings for as long as I can remember. I just played it for a funny holiday video shoot and it gave off the perfect vibe.
I looked it up and it cost somewhere around $9 when new.
http://www.silvertoneworld.net/acous..._1200/605.html
(not mine but the most similar)
Oscar Schmidt Stella:
https://jakewildwood.blogspot.com/20...or-guitar.html
Harmony Stella:
https://www.mandolincafe.com/forum/s...-H929TG-guitar
Another Oscar Schmidt Stella:
https://jakewildwood.blogspot.com/20...a-00-size.html
Harmony Archtop tenor of a similar vintage:
http://www.vintagetraditionalguitars...ils.php?id=312
More Harmony Archtop tenors:
http://harmony.demont.net/model.php?id=31
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
I played my girlfriend some slide on that stella and she said she felt like she was in some backwater blues bar that served moonshine.
Best complement ever!
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
Whatever it is. Sounds great on slide, don't use it for anything else.
I'm a little late on this post but I just wanted to say that I love the sound of the ladder bracing, especially in the old American guitars such as your Stella. I have a couple of Regals, one from the 20's and one from the 40's with a tone that I love. The X bracing would be stronger and you could use heavier strings but I'm happy with lighter strings on mine.
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