Re: The Search Continues... Part 2
As many hear know, I had an 2008 Ellis F5 that I got from Gruhn's. I loved that instrument. For some odd reason, I got it in my head that I wanted a new MM (I like to distress my own). I called a friend and he had a RSDMM (Ricky Skaggs Distressed Master Model). This friend highly recommended this instrument and I bought it sight unseen and put my Ellis on consignment. The RSDMM was beautiful sounding, Loar like. My only criticism was that I found the neck a bit too narrow. But,,,, that famous but, I missed the Ellis. One day after playing tennis, I called Walter to take the Ellis off consignment and he said I was just going to call you, the Ellis is sold. I was crushed. After a couple of days, I called Tom Ellis and ordered a new Ellis F5 and put the RSDMM on consignment. This was a teaching moment and lesson learned. Now I focus more on the tone I am drawing than the tone of the instrument I am playing. This is not to discount the instrument. As you can see my menagerie continues to grow, just in a different direction. I was once told that there are a lot of ways up the mountain, just make sure the one you take goes up.
Last edited by red7flag; Aug-29-2017 at 11:13am.
Tony Huber
1930 Martin Style C #14783
2011 Mowry GOM
2013 Hester F4 #31
2014 Ellis F5 #322
2017 Nyberg Mandola #172
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