Re: Opinions Needed About Two Mandolins
Real life experience is that no two mandolins sound identical, so generalizations about all F-9's from one sound clip are tenuous at best. The main difference in Gibson mandolins recently has been in finish, binding, ornamentation, and wood figure. I'm not sure that a visitor to Gibson could pick out an F-9 body from an F-5G "in the white," before finishing, binding etc.
The F-9 (and the briefly-available Jam Master) were designed to be more-affordable, but still "quality," instruments -- plain finishes, limited binding, lower priced. I have played and heard F-9's that sounded excellent. Without an example of an F-9 and an F-5G in my hands, I'd be loath to make a generalized comparison of their sounds -- and even then, I'd recognize that I'm comparing two individual mandolins, which may or may not represent all the instruments of that make and model.
On the other topic, Weber makes excellent mandolins, including their lower priced Gallatin line (somewhat analogous to the difference between F-9 and F-5?). Hardly anyone complains on the Cafe about Weber quality, and Weber owners seem pleased and loyal. The only Weber I own is a Gallatin "sopranolin," and it's excellently crafted and voiced.
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
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