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Thread: Tenor Guitar ID

  1. #1

    Default Tenor Guitar ID

    Hello All

    Trying to ID my new acquisition which appears to be a 1920's or 30's tenor guitar. The guitar has a label that is was distributed by Beltone of New York City. Beltone distributed guitars, banjos and mandolins for a number of manufacturers which included Martin. The guitar is in very nice condition and sounds great. I have had no luck finding another one online. Hoping somebody can help. Thanks.



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  2. #2
    Registered User nmiller's Avatar
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    Default Re: Tenor Guitar ID

    It's a creation of Kay or their predecessor company, Stromberg-Voisinet. That bridge was common to their guitars of the 1930s, and that headstock shape was used on some of their mandolins.
    www.OldFrets.com: the obscure side of vintage instruments.

  3. #3

    Default Re: Tenor Guitar ID

    I can't find anything similar that Kay made and it looks very well made. I thought it looked more like a Gibson.

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  4. #4
    Capt. E Capt. E's Avatar
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    Default Re: Tenor Guitar ID

    Again, likely Stromberg-Voisinet. I own a tenor guitar with the same headstock, though the body is of the "Venetian" style most commonly connected with Kay Kraft. It is interesting how many of these are showing up recently.
    Jammin' south of the river
    '20 Gibson A-2
    Stromberg-Voisinet Tenor Guitar
    Penny Whistle
    My albums: http://www.mandolincafe.com/forum/album.php?u=7616

  5. #5

    Default Re: Tenor Guitar ID

    Thanks so much for the help! Sure is a well built guitar and a little gem. The guitar is in excellent condition with no repairs other than a new fretboard. By the receipt in the case, the fretboard was replaced in 2003 and I don't think anybody played it since....

  6. #6
    Mando-Accumulator Jim Garber's Avatar
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    Default Re: Tenor Guitar ID

    Quote Originally Posted by nmiller View Post
    it's a creation of kay or their predecessor company, stromberg-voisinet. That bridge was common to their guitars of the 1930s, and that headstock shape was used on some of their mandolins.
    +1 imho!
    Jim

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  7. #7
    Capt. E Capt. E's Avatar
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    Default Re: Tenor Guitar ID

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    Here are three photos of my S-V (Kay) tenor. Someone had fun with the headstock stencil. Nice pearl inlay on neck and pretty binding. Very nice sounding instrument.
    Jammin' south of the river
    '20 Gibson A-2
    Stromberg-Voisinet Tenor Guitar
    Penny Whistle
    My albums: http://www.mandolincafe.com/forum/album.php?u=7616

  8. #8
    Capt. E Capt. E's Avatar
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    Default Re: Tenor Guitar ID

    Here is the neck and the backside.

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    Jammin' south of the river
    '20 Gibson A-2
    Stromberg-Voisinet Tenor Guitar
    Penny Whistle
    My albums: http://www.mandolincafe.com/forum/album.php?u=7616

  9. #9

    Default Re: Tenor Guitar ID

    Very nice! What does the bracing look like inside! I may be mistaken, but mine reminds me of European influence from Spain. I never played a tenor so I'm looking forward to figuring that out.

  10. #10
    Mando-Accumulator Jim Garber's Avatar
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    Default Re: Tenor Guitar ID

    Quote Originally Posted by shunkpenn View Post
    I can't find anything similar that Kay made and it looks very well made. I thought it looked more like a Gibson.
    A very similar one with SS Stewart label made by Kay/S-Vmis at Jake's site.

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    Jim

    My Stream on Soundcloud
    Facebook
    19th Century Tunes
    Playing lately:
    1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1

  11. #11
    Capt. E Capt. E's Avatar
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    Default Re: Tenor Guitar ID

    Your tenor looks very nice and Kay made some very nice instruments before WWII. I have not peered into the interior of mine much, but I see a ladder brace just below the sound hole. The wood quality is good with solid single boards front and back. Again, it has a very resonate tone that I enjoy with octave mandolin strings on it, tuned GDAE and sometimes GDAD. It is a great change from mandolin, completely different guitar like tone. The original tuners are gone and I have some Grover planetary banjo tuners now (originals were probably friction). The tailpiece is a banjo one, which is cool because I can put either loop or ball end strings on it. The bridge is unlikely to be original and floats like one for a mandolin. I may do a refret someday, but the original ones are just fine now, identical to the ones on my 1919 A-2. The body is solid, the neck is straight. I go back and forth about removing the "Martin" decal, but it makes it unique and I kind of like it.
    Jammin' south of the river
    '20 Gibson A-2
    Stromberg-Voisinet Tenor Guitar
    Penny Whistle
    My albums: http://www.mandolincafe.com/forum/album.php?u=7616

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