NMD: The Loar 370 VSM
This morning I opened the box. The Mandolin Store did a great job packing the instrument, and it arrived unscathed. First thoughts having tuned it up and played for a whopping 15 minutes:
Fit and finish are fine. The couple of small imperfections in finish under the fretboard and inside the scroll are totally excusable; I've seen far worse on bigger name/cost instruments.
The scroll clearance is tight, and I mean tight! It took a bit of work to get my Longhollow Softy through the gap.
Tuners seem decent and move smoothly. We'll find out how well they hold soon enough. Strings feel/sound like J-74's to my fingers/ears.
Flat fretboard and modern size fret wire are a new combo to me; I am more used to radius w/modern or flat with smaller wire. Even so, it is a comfortable fretboard. It seems that TMS did a little set-up work; nut slots on upper strings seem to have been filed. Action is pretty much perfect. IDK who added the harmonic suppressor strip under the bridge but I was happily surprised to see it there.
Volume is decent but not overwhelming. Ditto the tone; it sounds a little thin, like a new budget mando will. Chop chords sounded fine, single note articulation up the neck past the 12th fret was also decent.
The Eastman gigbag is surprisingly nicer than I anticipated.
This is my travel axe for festivals, etc. Given I paid $249 for this instrument, I am more than happy between the product itself and the pluses from TMS. That said, I don't think I'd have gotten it at its normal street price. It won't turn a lot of heads among folks here at the Cafe, but for a modest and inexpensive MIC axe I'm looking forward to find out how it plays out in Pickers Paradise at Grey Fox! Ultimately I simply have to give kudos to TMS for a real steal on the value point with this mandolin.
Last edited by Dave Greenspoon; Jul-12-2017 at 8:53am.
Axes: Eastman MD-515 & El Rey; Eastwood S Mandola
Amps: Fishman Loudbox 100; Rivera Clubster Royale Recording Head & R212 cab; Laney Cub 10
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