It's a great sound that old-timey between the cracks playing. In the blues it is not a perfect flatted third either. Compton can approximate that third with those "Monroe like" down slides.
It's a great sound that old-timey between the cracks playing. In the blues it is not a perfect flatted third either. Compton can approximate that third with those "Monroe like" down slides.
Just BEND the note by pushing the strings toward the bass strings (if you are on the A strings.)
If it's the low "neutral C" (on the G strings) you want, you'll have to pull the strings toward the treble strings, which is a little harder. (If you push, you'll probably push the strings off the fretboard)
It's not even a full 1 fret (half-step) bend! If you can't manage that, start doing some fingertip pushups and increase your finger strength.
Mandocrucian tracks on SoundCloud
CoMando Guest of the Week 2003 interview of Niles
"I could be wrong now, but I don't think so!." - Randy Newman ("It's A Jungle Out There")
Just repeating something that I think was mentioned earlier. Bending to a "C Supernatural" works in some genres of music, where you have the time to get up there and back down. It doesn't work in a fiddle tune at dance tempo, where that single note is in the middle of a flurry of other notes at full speed.
In that case, I'll still play the note -- no other options! But I'll avoid voicing chords that conflict with it.
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