Re: Played a Virzi
Originally Posted by
lenf12
I have a Duff H-5 mandola with a Virzi installed during the build process. While it's not the loudest mandola I've ever played, once you spank it for 15 or 20 minutes, this thing wakes up (yes, I'm one of them). You can hear a subtle but distinct reverb/chorus effect going on. It may be due to increased sustain as previously claimed but there is also a slight time shift in the Virzi's response vs. the rest of the top, hence the "enhancement". We all prize that "dry" tone in a fine old mandolin. The Virzi "hydrates" that dry tone and it may be an acquired taste.
Excellent post and goes a way to explaining why Virzi's may have come into being in their time, which was:
1: Before there was anything called "Bluegrass Mandolin" and it's practitioner's fairly rabid desire for a strong "Fundamental" tone and any increased volume available. No one has ever argued that they make mandolins louder (except for that original Gibson sales sheet posted previously.)
2: The music played on them at that time (for the most part) was going to be heard exactly as it was, and not through a microphone or any other kind of audio technology that would allow for any "tweaking" of any kind. The fact that they had F holes cut into them (which, lets face it, was nothing but a gimmick) may have appealed to Classical players looking for an edge.
But Amsterdam was always good for grieving
And London never fails to leave me blue
And Paris never was my kinda town
So I walked around with the Ft. Worth Blues
Bookmarks