Didn't know there was such a thing until I saw this ad in the Cafe this morning. I'd like to see more Loar guitars.
Bill
Didn't know there was such a thing until I saw this ad in the Cafe this morning. I'd like to see more Loar guitars.
Bill
IM(NS)HO
Mandolin Cafe - Since 1995
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I knew Scott would rise to the occasion!
Timothy F. Lewis
"If brains was lard, that boy couldn't grease a very big skillet" J.D. Clampett
I'd like to hear some, too. Do they have the same cachet as his mandolins?
Bill
IM(NS)HO
Some years back I got to play a Loar signed L5 once that Hank Risan of Santa Cruz owned. Also next to a Stromberg. I think the cachet weighed heavily on my impressions of both of them. While they both are absolute top tier guitars the sound wouldn't be for everyone. The L5 was a bit lighter and more responsive without a lot of bass while the Stromberg was notably heavier and required a heavier Rt. hand to get it to come alive.
Here's an interesting story from July of 2014. I don't know if the guitars I mentioned were part of this event.
https://bluesvintageguitars.wordpres...on-that-wasnt/
Billy
Billy Packard
Gilchrist A3, 1993
Weber Fern, 2007
Stiver Fern, 1990
Gibson 1923 A2
Gibson 1921 H1 Mandola
Numerous wonderful guitars
The Loar F-5 is considered as fully-developed tone, etc. and ultimate desirability by players. Later models, not so much. The guitars, while wonderful instruments might not be considered at the same level as the mandolins since they don't have cutaways and later models, more desirable by players were larger.
Jim
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19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
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