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Thread: 53 Harmony Tenor

  1. #26
    Moderator MikeEdgerton's Avatar
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    Default Re: 53 Harmony Tenor

    If you're talking about the picture in the first post it's a DeArmond.
    "It's comparable to playing a cheese slicer."
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  2. #27
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    Default Re: 53 Harmony Tenor

    Not sure, but looks like a Rythm Chief 1100. He scored!

  3. #28
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    Default Re: 53 Harmony Tenor

    If you are referring to the original picture, I looked into the DeArmonds at the time and it was a "Guitar Mike" with a 53 stamp on the body. I think the whole works wound up with Jake Wildwood on a trade....but am not positive. I loved the sound of it plugged in, but the scale just didn't work for me as I prefer the old Regal 21" scale. That was a nice tenor.

  4. #29
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    Default Re: 53 Harmony Tenor

    Quote Originally Posted by ajh View Post
    If you are referring to the original picture, I looked into the DeArmonds at the time and it was a "Guitar Mike" with a 53 stamp on the body. I think the whole works wound up with Jake Wildwood on a trade....but am not positive. I loved the sound of it plugged in, but the scale just didn't work for me as I prefer the old Regal 21" scale. That was a nice tenor.
    I just learned that Harmony referred to the 21" scale of the 1502 as "amateur scale".

    I'm fine with 21 to 23, but the 25" scale of my Paul Beard 4-string is too much reach.

  5. #30
    Registered User Irénée's Avatar
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    Default Re: 53 Harmony Tenor

    Hello !
    Some years ago, I had had one with 5 strings...
    ... and restaure it conscienciousely
    The span of the musical possibilities was larger than an ordinary 4 strings

    It was wonderful

    You will find some pictures below
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    I tuned it in CGDAE or GDAEB with Grover tuners
    Click image for larger version. 

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    ... and Mandocello string from D'Addario...
    Click image for larger version. 

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    ... but lighter gauges are also possible (suitable) especially the 150 New Standard (NST) from John Pearse http://www.jpstrings.com/brstring.htm

    I have sold it because as Mandolinist (on all kind and sizes mandolins) it was hard for me to play with a correct "tremolo" on single string, and the size of the body was too big for me in classic orchestra executions...
    But the sound was very good in volume and tone...
    Sometimes, I regret
    Last edited by Irénée; Jun-24-2018 at 1:52pm.

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  7. #31

    Default Re: 53 Harmony Tenor

    That looks like a beaut, Irenee. Spruce top instead of birch and there is enough string spacing to stuff a fifth string in there, so it must have played very well.
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  8. #32
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    Default Re: 53 Harmony Tenor

    Quote Originally Posted by Verne Andru View Post
    That looks like a beaut, Irenee. Spruce top instead of birch and there is enough string spacing to stuff a fifth string in there, so it must have played very well.
    That's a birch top with faux grain finish. Some models had spruce tops, pressed like the birch, and some were carved.

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  10. #33
    Registered User Irénée's Avatar
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    Default Re: 53 Harmony Tenor

    ... In fact it has a real birch top with a "corporate professional false spruce painting"... But the result was very "honorable" regarding the quality of tone and volume

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  12. #34
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    Default Re: 53 Harmony Tenor

    This Harmony built Orpheum has a pressed spruce top. (It should have a "carved top" stamp if carved, which I don't see.)Click image for larger version. 

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ID:	168853 spruce top.

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