I am planning on going with the individual boxes, as opposed to the multieffectsallinoneprocessor, so I am just plain curious which ones you like. Thanks in advance...
I am planning on going with the individual boxes, as opposed to the multieffectsallinoneprocessor, so I am just plain curious which ones you like. Thanks in advance...
Pick the brands and models you like, but here's what I don't play without: overdrive, polyphonic octave pedal, delay. Usually I add a wah, but that's flexible.
Christian
Alesis reverb (just a little bit of this adds a lot of "presence"
stereo chorus and a stage tuner
So here's a question for you guys. As of right now, I run a rack setup for my effects - a trio of multi-fx processors (Digitech 2112, Korg A3, and Line 6 Pod Pro for amp modelling) and a Roland digital delay unit. So I have access to pretty much anything I might need or want.
My question is this: I play a Schwab 5 string, and have been trying for a more sustained, jazzy sound than I seem to be able to get plugged straight into an amp. I've rolled off the tone knob, switched to double-coil on the neck pickup, and still have trouble getting that nice jazz sound.
What would you guys suggest as a way to add some decent sustain (either echo/delay or something else) without ramping up the overdrive considerably, and still maintain that jazz guitar sound that I'm trying for.
Since I can play a lot more interesting riffs on my emando, I really have no interest in switching it out with a guitar.
Schwab 5-string No.29 (1982)
Old Wave C# No.311 (2003)
Mann SEM-5 No. 60 (2007)
heavier strings and/or a lower pitch, Bb F C G D , whole step lower.
my 14" 4 string is wearing a mandola set, at CGDA tuning., the 8str is at FCGD.
writing about music
is like dancing,
about architecture
I'd use a compression effect for sustain (but sparingly).
For a jazz sound, the less effects you use the better IMO.
Also, you don't say what amp you are using. This will make
a big difference! Nickel wound strings will help, as will
a fat pick like the Dunlop Big Stubby. Go for a
relatively flat EQ--no boost on the bass or treble.
--Joel
The Boss compresser/sustainer is a nice toy
You can get a great boost in "juice" without distortion with a Klon Centaur Overdrive pedal- just keep the distortion off and boost the gain. Gives you more color and sustain-very musical!
John McGann, Associate Professor, Berklee College of Music
johnmcgann.com
myspace page
Youtube live mando
I know it's supposed to be for acoustic, but I use a baggs para eq with all those ugly mids rolled off. It's the only way I've found to get a good jazz tone. Much of the sustain is technique, but a good jazz tone has a natural sounding decay. My $.02
Just got the Eric Clapton Signiture pedal from Digitech. Very cool. My wife had to pull me away from it for dinner. I also, per mandohacks suggest, acquired an octave pedal to give me some serious range. They have both helped attain most of the sounds that I wanted. Just can't wait to try them out on my new Mann E-mando.....
Hey Nobleheart,
How do you like your Mann. I got one in Feb. The first one on his electric page on his site. Anyway. It plays amazing I really love it. I am using it through a wah> fulldrive2>boss sd-1>MXR envelope filter>Boss OC-2>Line 6 delay. His mandolins really sound great.
have not recieved it yet...should be another 2 weeks. I am very excited.
Dirt, Dirt, Dirt and some delay and chorus...tee hee...The delay pedal and chorus in combo with a volume pedal can get some cool sounds...
PeacE
Brian
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