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Thread: must have essential effects?

  1. #1
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    I am planning on going with the individual boxes, as opposed to the multieffectsallinoneprocessor, so I am just plain curious which ones you like. Thanks in advance...

  2. #2
    Is there a "talent" knob? Christian McKee's Avatar
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    Pick the brands and models you like, but here's what I don't play without: overdrive, polyphonic octave pedal, delay. Usually I add a wah, but that's flexible.

    Christian
    Christian McKee

    Member, The Big North Duo
    Musical Director, The Oregon Mandolin Orchestra

  3. #3
    Registered User frankseanez's Avatar
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    QTron
    Tubescreamer

  4. #4
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    Alesis reverb (just a little bit of this adds a lot of "presence"

  5. #5

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    stereo chorus and a stage tuner

  6. #6
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    So here's a question for you guys. As of right now, I run a rack setup for my effects - a trio of multi-fx processors (Digitech 2112, Korg A3, and Line 6 Pod Pro for amp modelling) and a Roland digital delay unit. So I have access to pretty much anything I might need or want.

    My question is this: I play a Schwab 5 string, and have been trying for a more sustained, jazzy sound than I seem to be able to get plugged straight into an amp. I've rolled off the tone knob, switched to double-coil on the neck pickup, and still have trouble getting that nice jazz sound.

    What would you guys suggest as a way to add some decent sustain (either echo/delay or something else) without ramping up the overdrive considerably, and still maintain that jazz guitar sound that I'm trying for.

    Since I can play a lot more interesting riffs on my emando, I really have no interest in switching it out with a guitar.
    Schwab 5-string No.29 (1982)
    Old Wave C# No.311 (2003)
    Mann SEM-5 No. 60 (2007)

  7. #7
    coprolite mandroid's Avatar
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    heavier strings and/or a lower pitch, Bb F C G D , whole step lower.
    my 14" 4 string is wearing a mandola set, at CGDA tuning., the 8str is at FCGD.
    writing about music
    is like dancing,
    about architecture

  8. #8
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    I'd use a compression effect for sustain (but sparingly).
    For a jazz sound, the less effects you use the better IMO.
    Also, you don't say what amp you are using. This will make
    a big difference! Nickel wound strings will help, as will
    a fat pick like the Dunlop Big Stubby. Go for a
    relatively flat EQ--no boost on the bass or treble.
    --Joel

  9. #9

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    The Boss compresser/sustainer is a nice toy

  10. #10
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    You can get a great boost in "juice" without distortion with a Klon Centaur Overdrive pedal- just keep the distortion off and boost the gain. Gives you more color and sustain-very musical!
    John McGann, Associate Professor, Berklee College of Music
    johnmcgann.com
    myspace page
    Youtube live mando

  11. #11
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    I know it's supposed to be for acoustic, but I use a baggs para eq with all those ugly mids rolled off. It's the only way I've found to get a good jazz tone. Much of the sustain is technique, but a good jazz tone has a natural sounding decay. My $.02

  12. #12
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    Just got the Eric Clapton Signiture pedal from Digitech. Very cool. My wife had to pull me away from it for dinner. I also, per mandohacks suggest, acquired an octave pedal to give me some serious range. They have both helped attain most of the sounds that I wanted. Just can't wait to try them out on my new Mann E-mando.....

  13. #13
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    Hey Nobleheart,

    How do you like your Mann. I got one in Feb. The first one on his electric page on his site. Anyway. It plays amazing I really love it. I am using it through a wah> fulldrive2>boss sd-1>MXR envelope filter>Boss OC-2>Line 6 delay. His mandolins really sound great.

  14. #14
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    have not recieved it yet...should be another 2 weeks. I am very excited.

  15. #15
    Registered User bjc's Avatar
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    Dirt, Dirt, Dirt and some delay and chorus...tee hee...The delay pedal and chorus in combo with a volume pedal can get some cool sounds...
    PeacE
    Brian

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