The fret markers on frets 3, 5, and 7 correspond to 2nd-4th positions on violin. After these it seems that violinists recognize a fifth position starting from th 9th fret, but also a 6th position starting from the 10th fret. If I play in 3rd position it's usually in keys where the scale notes fall on frets 5-10, and in 4th position on frets 7-12, so the 10th fret and 12th fret dots certainly aid orientation on the fretboard.
One of my mandolins for some reason had a 10th fret side dote (the ony fret marker ON the fretboard was the octave) so I had to have that moved. At the same time the repairperson installed a double side dot at the octave.
I always wanted to put some dashes next to the dots on a guitar and tell people it was some sort of secret Morse Code . . . . .
My Airline Mandola has dots at frets 3, 5, 7 - which is normal. A dot at 10, that's o.k., 9 would also be acceptable. Then it has the almost mandatory double dot at 12.
So far everything is o.k.
The rest is also o.k. as it does not impact playability. But I do not understand why it has dots at 14 and 16 instead of 15 and 17?
By the way I did not even recognise this before reading this thread ;-)
Fylde mandolins have a dot at nine instead of ten. Were I to get one (and there are more than a couple I have been interested in), I would get that changed right away.
Three is nice, but 5, 7, 10, 12, and 15 are the ones I most rely on.
Bookmarks