<Using this space solely for the purpose of entertaining and accepting offers for sale of instruments violates Forum posting guidelines. This will need to be sold elsewhere on the internet.>
From...
Type: Posts; User: testore
<Using this space solely for the purpose of entertaining and accepting offers for sale of instruments violates Forum posting guidelines. This will need to be sold elsewhere on the internet.>
From...
Adrian, you are completely wrong. Well restored top cracks do not reduce the value 50%. That is absolute rubbish. This violin has been appraised at a price over 10X what a cheap German violin is...
Thank you everyone.
I forgot to add a little about the violins history. The previous owner, Harry Clapperton, worked for the White Star Line company. He was a violinist on their ship the Adriatic....
Just about finished with this incredible violin. Brought to me about 10 months ago. Here are a few shots of before, during and after. Very challenging but very worth it. Built in Tourney Belgium in...
Don’t blame me. At least I tell you all when I make a fake!
That’s the best comment so far
To Bill McCalls statement, yes of course I sell them. I do charge more as they are a ton more work and they always include some vintage hardware. Those things get expensive. Having Loar tailpiece...
Thank you Scott. I think allowing these kinds of discussions actually increases our knowledge about these fine details. Expertise in the violin field has improved by huge leaps since the internet....
There are interior signs that it is not an original item, aside from freely posting my work on the internet.
Is anyone bothered by this?
Not at all. Make a Vessel copy for us to see your work.
Go ahead. But first you’d have to be willing to sell your F models for $485. That’s about the same ratio one pays for one of mine compared to a Loar. A $485 Vessel copy would likely increase my sales...
I wish I was a better player, but I’ll see what I can do.
Well I still get tons of interest in my copies. I get orders for both and will continue making both types as long as there is interest.
Much like making a Strad violin copy or a del Gesu copy, one...
Maybe you could start a Mike Black thread.
I’m sure he’d appreciate the attention. It always feels good when people share what they own or enjoy playing.
I have a form from the first mandolin I ever made in 1992. It was from a 1918 A4. I also had measured an early snakehead years ago and had a template for that. I have a hand scribbled list of...
Bill, yes I was going to have a killer booth this year. The octave and this A5 and another F5. Maybe next year. Miss it a lot.
J.Condino
Trust me, I’d love to make the drive. I’ve been told by several great players that it is their favorite Loar they’ve ever played.
I don’t know the owner so it’s not so easy.
Thanks everyone. There’s always so much to learn when you try to copy something. It’s an exercise that improves your ability to see something. Looking and seeing are two different things. The...
Here is my latest. Not an exact Griffith copy, as I have not seen the original. But more of a concept instrument of the possible existence of a second Loar signed A5.
Pic guard by Darryl Wolfe,...
Coming from the violin world, a copyist is only a copyist if they are able to make instruments look like the real article. That’s not to say we all don’t make Stradivari patterns or models. That is...
Corona boredom
Look what my Words with friends letters spelled! Only we would can get a chuckle out of it!
I’m not sure how anyone can say that the pic with Garcia is a 30’s mandolin. All we can see for sure is that it’s a fern.
I have spoken to two former members of the Hart Valley Drifters and Worth Handley did in fact own a Loar. It’s been confirmed to my satisfaction. I just got off the phone with his son 5 minutes ago....
This is 20.5” and has PLENTY of sustain and volume. There’s no exact recipe for either of these factors. This one happens to work. I joined the neck to the body at the 13th fret, like Gibson...