Hmm, you must not have met Bridezilla yet:disbelief:
Type: Posts; User: mmuussiiccaall
Hmm, you must not have met Bridezilla yet:disbelief:
BTDT, only one suggestion, don't go back to the bride with choices!
https://www.queencityballadeers.org/ [/URL]
See you there :))
Download a tab that has a lot of the things that baffle you and then work backwards by studying how the author accomplished the programming.
The mando is tuned like the circle of fifths, study that and then start looking at your fingerboard.
That APP is like having a private teacher with infinite patience listening to you and giving you feedback on your sense of rhythm.
Here's all the diatonic chord extensions of the key of Bb
Bb Eb F BbM7 EbM7 F7 Cm Dm Gm Bbsus Csus Dsus Fsus Cm6 Bb+9 Eb+9 F+9 G+9 F9 BbM9 EbM9 Bb6/9 Eb6/9 Bb6 Eb6 F6 Cm7 Dm7 Gm7 Cm+9 Am7b5
Wow, I just noticed the bottom row that switches to the guitar, mandola and bass! My suggestion would be to color the triad notes for visibility and if you have anoter week of spare time :)) make...
The visuals can be a useful tool to help us understand the audibles. Here's chromatic circles showing the modes.
https://upload.wikimedia.org/wikipedia/commons/2/2c/Modes.svg
Yet again it's a personal arrangement.
O.K. Jim tell me another song with the chord progression of HEY JOE.
Now we both agree about the practice of rock adding a bVII chord for the Mixolydian feel in hundreds of rock songs E.g. about every AC/DC song.
Hmmm, HEY JOE is an anomaly, I sure wouldn't base any blank statement around that song.
Start Looking at songs with multiple chords and look for snippets of this progression around the circle in fourths.
B E A D G C F Bb Eb Ab Db Gb
Here it is.
The only thing correct in that video is the key! Here's my PDF of how Bill plays it.
The monotonous bass drives me crazy on the apps. I like to make a TABLEDIT file and export a MIDI into APPLE LOGIC PRO and finally to very tempo I use TRANSCRIBE!
Here are the 6 possible shapes working off of the root.
Learn to play bass first, it's a lot easier to hear and is the foundation of what's being done with the chords and melody.
Thanks again John for the ticket!
IMO the mando is lost in the mix, get on the upper strings for this one.
On the original recording it is obvious that there is a different chord on every word of TAKE A SAD SONG, here's my four chords C F/C C7 C7sus
Here's a lick in A Major that uses 6 of the possible 12, what does anyone think, hear, feel.....when you play it?
181495
As Don says in #53 Listen to each interval, stopping at each one. Inventory what feeling, vibe or effect each note yields. A 6th, for example may sound happy or swingy, a 2nd or 9th consonant but...