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Type: Posts; User: Toomas Rannu

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  1. Replies
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    Re: James Oswald: Divertimento I

    Lot of thanks to you for these words! The work you’ve done is very impressive and also we can say now that someway your transcriptions have come back to you. I downloaded the the original...
  2. Re: Carlo Aonzo teaches the Allemanda from Bach's solo BWV 1004

    Nice demonstration! I use a little different fingering playing this Allemanda, but the main principles, like holding tones when playing others, calculating the direction of strokes ect. are the same....
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    Re: James Oswald: Divertimento I

    Thank you! I can say that it was not very easy to „make the plan come together“, especially in the third movement, but somehow it succeeded. In what key did you played this tune and did you tried the...
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    James Oswald: Divertimento I

    Pretty often is easier to play a tune, than to describe after that, what is this I have done. So it is now. Just my version of James Oswalds Divertimento I.
    https://youtu.be/6AsUnYE59A0
  5. Re: Purcell: The Fairy Queen, Z 629. Second Act Tune: Air

    If anyone interested, PDF (music+tab) of this arrangement of Purcell’s Air is here uploaded and also available via MC Messanger. Send a note if any trouble in downloading
    Toomas Rannu
  6. Bach: Partita d-Moll, BWV 1004 – Allemanda

    Sonatas and partitas for solo violin (BWV 1001–1006) by Bach is an exiting material to work on. The „Sei Solo a Violino senza Basso accompagnato“ (Six Solos for Violin Without Bass Accompaniment), as...
  7. Re: Bach BWV1007, an interesting experience with an unusual audie

    Something like different interpretations of the same composition.
  8. Re: Bach BWV1007, an interesting experience with an unusual audie

    I got the permission to share the works of the artists. Three artists of the five finished their work and one lady drew her work on the basis of a video, taken by another: thats the reason why two...
  9. Purcell: The Fairy Queen, Z 629. Second Act Tune: Air

    Many beautiful songs and dances are put together in this wonderful semi-opera or masque “The Fairy Queen” by Henry Purcell (1692). I’d like to play them all.

    I got at least one of them arranged...
  10. Re: New ideas in playing two voices on one mandolin.

    Thank you! That’s a good question! Maybe the difference is in that I’m trying to play two different melodies not vertical intervals (2th, 3th, 6th ect). One with the pick and the other with fingers –...
  11. Re: Bach BWV1007, an interesting experience with an unusual audie

    No nipples, please...
  12. Re: Bach BWV1007, an interesting experience with an unusual audie

    I haven’t seen the pictures yet. Only some unfinished sketches right after the session. The exhibition will be opened in 21.02.2020 and I hope that somehow I can share these works with you. I’m also...
  13. Re: Bach BWV1007, an interesting experience with an unusual audie

    Thank you! I'm a slow writer and don't always find right words quickly enough how to say it, but I really appreciate you words. Toomas
  14. Bach BWV1007, an interesting experience with an unusual audience

    I’d like to share with you an interesting experience with an unusual audience. The Traditional Exhibition of Portraits at “Rakvere Galerii”, (Rakvere, Estonia) is an event what takes place every...
  15. Re: New ideas in playing two voices on one mandolin.

    Thank you! I use “BlueChip TP40 1-R” (https://shop.bluechippick.net/tp40-1r/) between thumb and first finger and next fingers (mostly two of them) with little longer fingernails. This way of picking...
  16. New ideas in playing two voices on one mandolin.

    I started playing two voices on one mandolin in september 2019. Then it was music for two violins. Later I found that this technique suits perfectly for playing choir music for two voices. Here is a...
  17. Re: German romanticism or – Two voices, one mandolin

    Thank you Michael! My way of picking comes somehow from my background as a guitar player and I made a big step forward some years ago when I started to play german baroque violin music – Bach and...
  18. Re: J. S. Bach BWV1004 - Ciaccona Transcr. Eduardo Egüez

    Ciaccona is something I can't get enough
  19. Re: German romanticism or – Two voices, one mandolin

    Thank you, Martin for sharing the link. Seems that german folk music is an endless story and there's a lot beautiful music to play and interesting to discuss about.
  20. German romanticism or – Two voices, one mandolin

    I travelled in Germany last summer and bought a book of sheetmusic from a second hand bookshop in Munich at first as a souvenir - simple german folksongs and tunes of composers from the romantic era...
  21. German romanticism or – Two voices, one mandolin

    I travelled in Germany last summer and bought a book of sheet music from a second hand bookshop in Munich at first as a souvenir - simple german folksongs and tunes of composers from the romantic era...
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    Creating rhythm by muting strings

    How to create and add rhythm to the music, especially playing solo, thats the question to which the answers are necessary, but also giving much fun to the player and the listner.
    In this case...
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    Re: Transforming Mazas Op36 No15

    MINA: Lot of thanks to you for including the original. It just gives the whole picture.
    I'm usually memorizein' the whole thing first and after getting rid of sheets I’m ready for the music.
    ...
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    Transforming Mazas Op36 No15

    Mazas is full of possibilities. Some changes in rhythmic structure in the bar gives a kind of funky groove to Mazas Op36 No15
    https://www.youtube.com/watch?v=sJPSbWbU5ls
  25. Re: Bach: Suite D-Dur (BWV 1007), Prelude

    There are many ways of thinking about motivation. On Bach era, most of the music for solo instruments was written not for performing but for the player him(her)self. So if I play in the street where...
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