Aluminum saddle on vintage Gibson ovals
I've seen a few 1919-1920 era A3's with an aluminum saddle, and was wondering how and if these saddles effect the tone of the instrument.
I imagine it would accentuate the high end, but I could be wrong.
Anybody have an A or F with one of these saddles?
Re: Aluminum saddle on vintage Gibson ovals
It brightens up the sound a bit, I have one on an F-5 mandolin my Gramps made back in 86. And with the aluminum saddle it sounds great-I've never changed it out as he made the saddle also so I've never compared the same mandolin with another bridge/saddle top.
Re: Aluminum saddle on vintage Gibson ovals
I made a batch of reproductions a few years ago. I still have some. I think the biggest benefit is probably that it will never crack!
Doesn't Evan Marshall have an aluminum saddle on his Gil?
Re: Aluminum saddle on vintage Gibson ovals
Great point Marty! I like how you mentioned that, as there was a recent thread about fixing cracked saddles!
I forgot but Dave Appolon sure liked them, I believe he had them on all his personal F-5's right? Maybe other mandolins he owned? I'm not any authority on him though.
Re: Aluminum saddle on vintage Gibson ovals
My 1921 A2 came with the adjustable bridge/aluminum saddle, I didn't like the tone at all - kind of quacky/bright and distracting. I switched it out to Cumberland Acoustic, which to my ears is a huge improvement. I've saved it to go with the mandolin if/when we part ways.
Re: Aluminum saddle on vintage Gibson ovals
I would think that Dave Appollon would have accepted it cutting through and be heard above all the rest of the band even if it did mean forsaking a bit of the tone.
He's always been my favourite mandolin player.
Re: Aluminum saddle on vintage Gibson ovals
I have a 'teens A model set up with one. It works well on this particular mandolin, and sounds considerably better than it did with the original one-piece bridge.
It increased the mandolin's sustain considerably.
I have tried aluminum saddles on other mandolins. The results varied. It seems that some mandolins benefit from them and some do not.
They can be made by hand if you have good files and use cutting fluid or oil.
Re: Aluminum saddle on vintage Gibson ovals
I had a Cremona brown Gibson F4 with an original aluminum saddle and it sounded fantastic... I also tried it with a vintage Gibson ebony saddle as well, but the aluminum one sounded even better.
Re: Aluminum saddle on vintage Gibson ovals
My mandolin has an aluminum saddle and it has fantastic tone. YMMV, but it works very well with my A1.
Re: Aluminum saddle on vintage Gibson ovals
yeap, ole Dave hoarded those Alum. bridges and usually kept them on his top two F5s. Like Monroe, Apollon got his tone from his right hand technique. He stood up with no strap and could be heard above his little band. I know someone else who has a personal stash of them, but he won't sell them.
Re: Aluminum saddle on vintage Gibson ovals
Been thinking about a brass saddle.
Re: Aluminum saddle on vintage Gibson ovals
Quote:
Originally Posted by
mandolinstew
Been thinking about a brass saddle.
That would be pretty. It's double the mass of aluminum, so would effectively be a mute, or at least a low-pass filter (rolling off the high frequencies) relative to the same structure made out of aluminum.
If it could be made light enough by hollowing it out or making it a thin ribbon, it would work well.
Re: Aluminum saddle on vintage Gibson ovals
Hmm. Maybe the next time I change strings I'll try the aluminum saddle on my F5G . . .