In our Week #507 John Kelly gave me and Simon an assignment to learn “The Bear Dance” and the Breton tune “The Wren” as a set. Therefore I open this new thread. The Bear Dance has its own thread as an Other tune twice in 2011 and recently and additional it comes along in some sets for Week #507. I couldn’t find The Wren here other than as Wren's Hornpipe what seems to be a different tune.
Today I deliver the result of my effort so far. This recording is meant as work in progress so I allowed myself a few weak points. I turned off the metronome for the recording and tried to increase the tempo a little for the Bear Dance. I hope some fellow mandolin players will join in.
Nice Frithjof! And well done for taking the initiative. You probably saw that I had to finish ‘The Red Haired Boy’, and get it recorded as the snows have arrived early this year. (I was still on the colour theme, ha, ha) I’ll hopefully get these two Christmas tunes recorded tomorrow. I must admit that trying to get through two tunes is a bit of a hurdle, and I agree with you about the metronome, it’s not so easy to use when recording. Thanks for the motivation.
Thanks, Simon. In many of my recordings I used the metronome. Without this terrible thing I tend to stretch some measures with triplets or other complications. But I know no good solution to use the metronome while recording in changing tempi.
One of the problems I have is that when I record, I get tense and as a result my focus narrows. I’ll forget the metronome for four measures and then have to speed up to get back in time. It’s like a concertina or cars in heavy traffic on the freeway. I’m actually (as I think Ginny said) better off without it. Another one is losing concentration two or three measures before the end...
Frithjof, that was really good. When John and I did The Bear Dance earlier, I did not know it was as popular as it is. I'm the same as Simon with the metronome..I tense up and lose my place or it just sounds wooden. But while I'm learning the tune, the metronome is helpful so that by the time I think I'm ready for the red light I have a pretty good idea of the tempo. The downside is, if you want to be creative (as in the case of John and me) it's hard for him to accompany me when I'm all speed up, slow down..or when we try and synchronize a tune, it needs to be pretty well note value accurate. If I could play the guitar myself, I wouldn't have this problem..but that'll never happen. Plus I enjoy the 'international partnership' John and I have. Great playing by both of you guys.
Ginny – Thanks for the nice comment. Simon - Losing concentration two or three measures before the end... seems to be a general law of nature.
Great effort there, Frithjof. Consider the assignment successful. Now, where do you go next? The comments re the metronome and its intrusion into your playing consciousness are very valid (certainly in my own experience) and Ginny's remarks re playing the tune "as you feel it" are what we try to aim for. It is interesting that midi music has a facility labelled "humanizer" which attempts to put the human element back into the music by varying the strict value of the notes to give them the human touch. When I play along with Ginny's tracks we are reaching a stage in our collaborations when we can more easily synchronise our lead and backing, and the removal of the metronomic rigidity is a thing we certainly aim for. That said, I would certainly agree that using a metronome is a very valuable learning tool. So too is playing for dancing! Dancers will quickly let you know if your playing is off.
Sounds fine to my ears! Maybe at 2:40, you accelerate a tiny little bit. But that is barely audible...
Well done Frithjof. I really enjoyed these tunes together. Whatever weak points you see they weren't obvious to me.
Thanks John, Christian and Robert. John – I like to work on these sets a little more to make my playing more stable in the (for me) higher tempi. And the new Week #509 tune is so lovely …
I thought I'd never heard, or heard of, The Wren. But it sounds almost identical to the first tune I ever learnt on mandolin, under the name Andro. The Bear Dance is a melody I know, but can't play. This may be a good opportunity to learn it. You play both tunes very nicely. John has taught you well!
The Wren is also known as An Dro. Like I understand it “An Dro” is the dance you may do to this tune. According to Wikipedia "An dro or en dro (Breton: "The Turn") is a Breton folk dance in 4/4. It is a form of a circle dance."
Here it is. Of course I always use eye protection for handling heavy equipment, and the bodhran.
Great rendition, Simon. Nice to jump in another key for The Bear Dance. I thought about using percussion as well but don’t have access to such proper eye protection like you.
Thanks Frithjof, it was actually nice thinking just get the work finished! The glasses are a protection against self-consciousness too. And yes I like the key change. The drums need... a bit, a lot of practice. The Bear Dance versions that I’ve heard a lot in the past (in France) for diatonic accordion and hurdy gurdy are a lot simpler than some of the other ones. On thesession.org there are 20 settings. Not sure but I read that an early source for the tune is Michael_Praetorius wiki. Lots of bears where he lived in the 16th century, some quite tame, like dogs.
Gelensbury - if you want music and/or tabs..at the end of my Bear Dance with John on Celtic Mandolins - I put the music up on the screen. Someone said they can screen-shot it -although I wouldn't know how - if I see that on someone's page, I pause it and write it all down by hand. (old school)
Ge-lens-bury! Ge-lens-bury! Ge-lens-bury! (ok, I admit it, I miss your posts, though it’s not very manly of me to say that, ha ,ha) Here’s the link to Ginny and John’s The Bear Dance page. The TAB there is the more elaborate version. I might do another post of it and put it there or maybe there’s another page? Simple version pdf: The Bear Dance
Well done Simon. I really like the bodhran with the Octave but I am somewhat of a minimalist when it comes to music.
OK, I've started practising. Those tunes are too good to miss!
Great! We are looking forward to your contribution, Dennis.
Here's my take on this set! I've added a third tune called Fire Dance, which I learnt at the time to go with the Andro/Wren. They may not be in the best order for a recording, but I hope to continue practising this and take it to sessions. So I thought I'd start with the tune that's least likely to be familiar to the other players. Can I also be one of John's students now?
Nice. Very authentic medieval playing there, fellow student, Sir. I like the tone on your mandolin too, and especially the Bear Dance with flute, joyful like a carnival piece from a film. Well done.
Simon and Gelsenbury: two fine versions of this medley with percussive elements!
That is a good set, Dennis. Your versions are a bit different from the ones I played, and certainly add to the enjoyment of the tunes and the set. Consider yourself a fully enrolled member of the student fraternity as of now! And it is over sixteen years since I retired from teaching.
Nice full set, Dennis. Is John the headmaster now? If gets us doing a bunch of strathspeys with Scottish snaps and such, I wouldn't want to see my report card. (or is it Scots snaps?)
Thank you all! I'm honoured to be part of this student group.
Great you brought us your medieval version, Dennis. I have to find a source for this Fire Dance.
Oops wrong thread...
OK, the problem with sets. Since The Wren is first, I'm going to post it on this thread. This is my first experiment with Garageband's percussion track. I really hit it off with "Finn." (I do know he is only a line of code - but we made real algo-rhythm.) The wrens are from the garden. The first picture is taken the conventional way (with a camera, you know). The others, including the video, are from my new bird feeder with built-in camera. Wrens are charming. The males build several nests and then invite the females to inspect them and choose (or not, I suppose), like estate agents. One year, she chose the one he had built in our garden shed. This was fine with us but not, apparently, with them. Every time we went in the shed, for months on end, a wren would yell at us furiously to make sure we didn't touch his/her babies. The picture I didn't use... Brown-headed cowbirds are brood parasites (like cuckoos) and lay their eggs in other birds' nests. I have a picture of a tiny wren feeding a large cowbird juvenile. If the wrens (or whoever) don't care for the chicks, the cowbirds come and trash their nests. You didn't need this picture. I thought that Mouy'ton Mayo was about sheep (as did several people at The Session, apparently). I lived on a sheep farm in England so I have thousands of pictures of sheep (I count them when I can't sleep). But I couldn't use them because apparently this is a pun on "mouille ton maillot" or "wet your shirt," that is, dance till you drop. (Maillot also means swimming costume, but I can't imagine anyone needs advising to dampen their cossie.) St Patrick - you have probably heard of him.
Fine playing as usual Richard. I love this set, especially Mouy'ton Mayo. With the slight key change it sounds more French than Breton to my ears but I don't really hear very much Breton music nowadays so I wouldn't know. The backing track has a sort of enforced simplicity but needs help, I'm not sure what to do about that
Sounds great, Richard. Interesting experiment with the percussion track. Funny wren videos and good to learn something about the Brown-headed Cowbird.
What a nice set! Coincidentally, I've been playing The Wren again just recently. Your posting gave me another nice version to listen to. I like all three tunes, and they go together ever so well. PS: I know the French find it weird how the English eat lamb with mint sauce, but mutton mayo sounds like a rather unusual festival sandwich.
What a great set, Richard, and some super pictures with that bird-box camera. The blend of your instruments is really good, but I find the percussion track a bit too dominant in the mix - but that is just a personal opinion! Good to hear The Wren being revived again.
Thank you all. I like all three of these and think they work well together. I have mixed feelings on the percussion. I deliberately kept it simple because it is obviously the wrong sort of drum, so I didn't want it to be too intrusive. I didn't find it too dominant (though the critics' verdict will certainly be taken into consideration), but I wasn't sure if I should have held it back until later, which might have been more dramatic. Anyway, it certainly kept me in time. Simon, Mouy'ton Mayo is a modern piece, which may explain that interesting shift from Bm into C (as I am playing it here). Frithjof, I don't know if you clicked on the sound file for the cowbird's song. It is really weird - sounds like a malfunctioning drain. I heard this sound in the garden for ages before I worked out that it was a bird. Dennis, mutton mayo was exactly what I thought too. Sadly (?) not. John, I have hours of footage from the camera, but unfortunately the wrens don't really use the feeder. Also, the camera is triggered by the bird's arrival, but carries on filming after it leaves, so for every few seconds of bird footage, there is usually about another minute of nothing. (Not to mention footage of me filling the feeder.) I plan on making a whole video when I have gone through everything - I think I have about 20 different birds.
Great set, Richard. A brave experiment with GarageBand percussion track… I usually use GB but I haven’t ventured from the basics of adding a little reverb, ensuring the metronome is switched off and hitting record!
High-tech: a dancefloor rhythm and a birdfeeder with a built-in camera. I really enjoyed the second tune!
Thank you, John and Christian. I certainly don't think of myself as technologically advanced. I am only one step ahead of you on GarageBand, John. (This all came about because I was editing scores in MuseScore and had the bright idea of exporting them as midis and then playing them in GB as string ensembles, or punk bands or whatever.)
St. Patrick's An Dro/The Wren These are two An Dro tunes from Brittany -- two of the three tunes in Richard's set (which I missed last year). I am playing them on bouzouki, adding harmonies on mandolin and mandocello taken from an arrangement by Peter Macfarlane for the Vermont Fiddle Orchestra: https://cvsfc.org/VFOtunes/2023Apr/W...AnDro-Lead.pdf https://cvsfc.org/VFOtunes/2023Apr/W...ro-Harmony.pdf The VFO version has the tunes the other way around, starting with The Wren, but I didn't like their transition between the tunes and thought it worked better reversed. Troubadour Lionheart bouzouki (GDAE tuning) Vintage Viaten tenor guitar Mid-Missouri M-0W mandolin Suzuki MC-815 mandocello https://youtu.be/PvaQB5ztd3E Martin
Very nice, Matrin. Your ordering makes sense to me - the shift up a fifth from Em/G to Bm/D always seems to work better than the other way round.
Nice counterpoint on The Wren!
Thanks, Richard and Dennis. Yes, I like that harmony part on The Wren -- need to try it with our group tomorrow. Martin