jmagill
Mar-13-2013, 4:24pm
This mandolin was built to my design by Stephen Holst of Creswell, Oregon, and first strung up on March 1, 2013. You can find the build thread for it here (http://www.mandolincafe.com/forum/showthread.php?87764-Holst-F4-custom-build). I will soon be posting my player's review of this instrument on the Instrument Reviews (http://www.magills.net/GtrReviews.html) page at my website.
This instrument was meant to be an update and homage to my two favorite mandolins, a 1915 F4 I owned in the late 70s, and an oval-holed Grand Artist model I bought from John Monteleone on a visit to his shop in the early 80s.
As a 'design guy' and Photoshop jockey, I took existing photos of mandolins and created a mockup for Steve to use as a model. I gave my imagination free reign and dreamed up my own ultimate F4. As the build progressed, we tweaked earlier mockups to produce the final version. Here's what we came up with. This is only the mockup; not a real mandolin:
99611
And here is a photo of the actual finished instrument. The scroll turned out a little sleeker and the tailpiece a bit wider than in the mockup, but otherwise it's pretty close, wouldn't you say?
99610
There are LOTS more pictures with clickable hi-res versions on this instrument's review page on my website here (http://www.magills.net/HolstF4.html), and my review will be coming soon.
Specs:
general: custom body shape; 15-fret neck; oval hole; proprietary headstock profile
top: red spruce
back: one-piece quilted maple
sides: quilted maple
neck: three-piece ribbon-curl maple w/ebony center strip, rounded-V profile
fingerboard: ebony, 6" radius, 19 gold EVO frets, scooped cocobolo extension
position markers: cocobolo
head plate: ebony/cocobolo, w/metalflake logo; ebony truss rod cover
backplate: ebony
binding: black plastic w/white purling on top, back, sides, fingerboard & headstock
soundhole & rosette: b/w binding on soundhole, b/w/b purfling rosette
pickguard & tailpiece: ebony/cocobolo
nut: bone
bridge: ebony, w/custom ebony saddle interchangeable with my Monteleone bone saddle
nut width: 1 3/16"
finish: oil varnish
pickup: K&K internal
(Don't know why there's a stretched version of the mockup attached as a thumbnail... Ah, computers...)
This instrument was meant to be an update and homage to my two favorite mandolins, a 1915 F4 I owned in the late 70s, and an oval-holed Grand Artist model I bought from John Monteleone on a visit to his shop in the early 80s.
As a 'design guy' and Photoshop jockey, I took existing photos of mandolins and created a mockup for Steve to use as a model. I gave my imagination free reign and dreamed up my own ultimate F4. As the build progressed, we tweaked earlier mockups to produce the final version. Here's what we came up with. This is only the mockup; not a real mandolin:
99611
And here is a photo of the actual finished instrument. The scroll turned out a little sleeker and the tailpiece a bit wider than in the mockup, but otherwise it's pretty close, wouldn't you say?
99610
There are LOTS more pictures with clickable hi-res versions on this instrument's review page on my website here (http://www.magills.net/HolstF4.html), and my review will be coming soon.
Specs:
general: custom body shape; 15-fret neck; oval hole; proprietary headstock profile
top: red spruce
back: one-piece quilted maple
sides: quilted maple
neck: three-piece ribbon-curl maple w/ebony center strip, rounded-V profile
fingerboard: ebony, 6" radius, 19 gold EVO frets, scooped cocobolo extension
position markers: cocobolo
head plate: ebony/cocobolo, w/metalflake logo; ebony truss rod cover
backplate: ebony
binding: black plastic w/white purling on top, back, sides, fingerboard & headstock
soundhole & rosette: b/w binding on soundhole, b/w/b purfling rosette
pickguard & tailpiece: ebony/cocobolo
nut: bone
bridge: ebony, w/custom ebony saddle interchangeable with my Monteleone bone saddle
nut width: 1 3/16"
finish: oil varnish
pickup: K&K internal
(Don't know why there's a stretched version of the mockup attached as a thumbnail... Ah, computers...)