peter.coombe
Dec-14-2012, 7:34pm
I have been working on a new flattop mandolin/mandola design, and would be interested in some of you guy's comments. The idea is to make a flattop mandolin that sounds great, but is cheaper to make so I can offer them at less than half the price of my carved top mandolins. This I guess is my "junior" model mandolin and mandola, same body shape but as a flattop.
A lot of effort has gone into the sound, I have been unimpressed with the sound of most flattops I have come across so wanted these to excell in the sound department. The other aim has been to ensure they are structually sound since flattop mandolins do have a bit of a reputation for top collapse. These are X braced, but the X is reinforced with carbon fibre, and there is additional support around the soundhole and under the tailpiece, so they are completely different from the Gibson army navy flattops. The body shape and neck is the same as my oval hole mandolins (neck has a carbon fibre rod reinforcement). I have retained the dovetail neck join, varnish finish, and wood bindings, but the soundhole is round and the rosette simple to save on labour costs. A simple fan tailpiece and Rubner tuners are also used to save costs.
I am pleased with the sound, although that as always is a never ending work in progress. They are not as refined as my carved top mandolins, nor do they have the solid feel and sound, but that is to be expected. However, they are significantly louder and have a huge ring and sustain. Excellent session instruments IMHO. The main thing is the sound is nice and clean.
So far I have made 7 mandolins and one mandola. 2 mandolins have been sold, both to learner players.
Anyway, judge for yourself. Here are soundclips of the 3rd mandolin -
http://petercoombe.com/Flattop_sound/Beg_Si.mp3
http://petercoombe.com/Flattop_sound/S.mp3
and the mandola -
http://petercoombe.com/Flattop_sound/Mandola/Drover.mp3
http://petercoombe.com/Flattop_sound/Mandola/JYG.mp3
Pictures of the most recent mandolin. Engelmann Spruce and Tasmanian Blackwood.
953159531695317953189531995320
Pictures of the Mandola.
9532195322
A lot of effort has gone into the sound, I have been unimpressed with the sound of most flattops I have come across so wanted these to excell in the sound department. The other aim has been to ensure they are structually sound since flattop mandolins do have a bit of a reputation for top collapse. These are X braced, but the X is reinforced with carbon fibre, and there is additional support around the soundhole and under the tailpiece, so they are completely different from the Gibson army navy flattops. The body shape and neck is the same as my oval hole mandolins (neck has a carbon fibre rod reinforcement). I have retained the dovetail neck join, varnish finish, and wood bindings, but the soundhole is round and the rosette simple to save on labour costs. A simple fan tailpiece and Rubner tuners are also used to save costs.
I am pleased with the sound, although that as always is a never ending work in progress. They are not as refined as my carved top mandolins, nor do they have the solid feel and sound, but that is to be expected. However, they are significantly louder and have a huge ring and sustain. Excellent session instruments IMHO. The main thing is the sound is nice and clean.
So far I have made 7 mandolins and one mandola. 2 mandolins have been sold, both to learner players.
Anyway, judge for yourself. Here are soundclips of the 3rd mandolin -
http://petercoombe.com/Flattop_sound/Beg_Si.mp3
http://petercoombe.com/Flattop_sound/S.mp3
and the mandola -
http://petercoombe.com/Flattop_sound/Mandola/Drover.mp3
http://petercoombe.com/Flattop_sound/Mandola/JYG.mp3
Pictures of the most recent mandolin. Engelmann Spruce and Tasmanian Blackwood.
953159531695317953189531995320
Pictures of the Mandola.
9532195322