mdavis00
Dec-11-2013, 5:17pm
110846
I'd like to introduce you to a mysterious couple -- a c1916 F2 and c1918 L4. These beauties have recently been passed-on to me, and I am trying to discover their history (in addition to playing them often).
The story is that the two "matched" instruments were purchased as a wedding gift in the teens. The guitar was kept out and played, but the mandolin spent most of its life in a closet.
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This is #29296, a sister to the F4 (http://metmuseum.org/collections/search-the-collections/506857) (photo (http://www.flickr.com/photos/mandolincafe/8226401193/in/set-72157632120056313)) and F2 (http://metmuseum.org/Collections/search-the-collections/506859) (photo (http://www.flickr.com/photos/mandolincafe/8227487458/in/set-72157632120056313)) that Tim May (http://www.mandolincafe.com/news/publish/mandolins_001390.shtml) recently sold to the Metropolitan Museum of Art. The FON is 2908, which is present in Span's Guide for 1914. The guitar appears to have a FON of 11041 with illegible serial. Combined with the lack of inlay on the headstock, I assume the L4 is from c1918.
Inside their red-velvet-lined cases, there were a couple interesting picks:
110849
The tiny, thin faux-tortoise pick matches the one that Jack Roberts found (http://www.mandolincafe.com/forum/showthread.php?99359-Celebrate-with-me-F4-quot-Jeanette-Greene-quot-has-her-100th-birthday) in "Jeanette Green's" (incomparable 1913 F4) case. I'm not sure about the other -- maybe that Gibson logo can date it? (I assume the rosewood bridge was on the mando for a time before it had the current ebony one installed -- neither are original.)
This is what I know: They spent some time in the "wheelin' and dealin'" world of bluegrass, where the mandolin gathered some wear and a couple of repairs. An interesting repair is the patch in the pick guard, which removed most of the patent statement. The large scroll in the head was also glued back together. At some point, they came into the hands of the late bluegrass musician "Banjo Joe" Creek of Colorado, and he sold them to my family.
110850
Between them, they have been in the hands of many musicians and many luthiers. I have a soft spot for history and a good story, so I have been digging around to find out as much as possible about them. The wedding gift story is one I would love to verify somehow, because I'm a little suspicious that someone cooked it up to sell a deteriorating guitar with a solid mandolin.
What do you all think? Ever run across this couple in CO or NC?
I'd like to introduce you to a mysterious couple -- a c1916 F2 and c1918 L4. These beauties have recently been passed-on to me, and I am trying to discover their history (in addition to playing them often).
The story is that the two "matched" instruments were purchased as a wedding gift in the teens. The guitar was kept out and played, but the mandolin spent most of its life in a closet.
110847110848
This is #29296, a sister to the F4 (http://metmuseum.org/collections/search-the-collections/506857) (photo (http://www.flickr.com/photos/mandolincafe/8226401193/in/set-72157632120056313)) and F2 (http://metmuseum.org/Collections/search-the-collections/506859) (photo (http://www.flickr.com/photos/mandolincafe/8227487458/in/set-72157632120056313)) that Tim May (http://www.mandolincafe.com/news/publish/mandolins_001390.shtml) recently sold to the Metropolitan Museum of Art. The FON is 2908, which is present in Span's Guide for 1914. The guitar appears to have a FON of 11041 with illegible serial. Combined with the lack of inlay on the headstock, I assume the L4 is from c1918.
Inside their red-velvet-lined cases, there were a couple interesting picks:
110849
The tiny, thin faux-tortoise pick matches the one that Jack Roberts found (http://www.mandolincafe.com/forum/showthread.php?99359-Celebrate-with-me-F4-quot-Jeanette-Greene-quot-has-her-100th-birthday) in "Jeanette Green's" (incomparable 1913 F4) case. I'm not sure about the other -- maybe that Gibson logo can date it? (I assume the rosewood bridge was on the mando for a time before it had the current ebony one installed -- neither are original.)
This is what I know: They spent some time in the "wheelin' and dealin'" world of bluegrass, where the mandolin gathered some wear and a couple of repairs. An interesting repair is the patch in the pick guard, which removed most of the patent statement. The large scroll in the head was also glued back together. At some point, they came into the hands of the late bluegrass musician "Banjo Joe" Creek of Colorado, and he sold them to my family.
110850
Between them, they have been in the hands of many musicians and many luthiers. I have a soft spot for history and a good story, so I have been digging around to find out as much as possible about them. The wedding gift story is one I would love to verify somehow, because I'm a little suspicious that someone cooked it up to sell a deteriorating guitar with a solid mandolin.
What do you all think? Ever run across this couple in CO or NC?