Tom Coletti
Oct-27-2013, 3:10pm
108674
108675
A newly-acquired Style B, No. 6589, built in 1919. I had casually made a mention of Martin mandolins to my MAS-infected dad (I played a '53 Style A in a guitar shop and really liked the tone), so he placed a bid for me on eBay, where it sold for much less than most vintage Martins—only several hundred dollars compared to $1K or more—since it wasn't strung up, some hardware was missing, and there was cosmetic damage, especially on the ribs and back. All in all, it was an absurdly great deal. He brought it up over the weekend (having found the original bridge when he picked it up from the previous owner and added stand-in tailpiece cover until a suitable Martin replacement can be found) and I set it up to see if it was playable. The neck is straight, intonation is perfect, there's practically no fret wear, and while it lacks the power and playability of my Breedlove FF, it has a rich, mellow depth that I haven't heard in many mandolins that I've played.
I named it "Carrizo," since the inlay on the back's center seam resembles the reed-like plant. Sound clips to follow...
--Tom
108675
A newly-acquired Style B, No. 6589, built in 1919. I had casually made a mention of Martin mandolins to my MAS-infected dad (I played a '53 Style A in a guitar shop and really liked the tone), so he placed a bid for me on eBay, where it sold for much less than most vintage Martins—only several hundred dollars compared to $1K or more—since it wasn't strung up, some hardware was missing, and there was cosmetic damage, especially on the ribs and back. All in all, it was an absurdly great deal. He brought it up over the weekend (having found the original bridge when he picked it up from the previous owner and added stand-in tailpiece cover until a suitable Martin replacement can be found) and I set it up to see if it was playable. The neck is straight, intonation is perfect, there's practically no fret wear, and while it lacks the power and playability of my Breedlove FF, it has a rich, mellow depth that I haven't heard in many mandolins that I've played.
I named it "Carrizo," since the inlay on the back's center seam resembles the reed-like plant. Sound clips to follow...
--Tom