Le Danseuse.  Delma Lachney & Blind Uncle Gaspard    From the Folkways 
Anthology of American Folk Music.  The same version is also on Yazoo 2042,
Early American Cajun Music, which describes Lachney/Gaspard as "an unusual 
byway of Cajun music that is softer and more introspective than other
styles." (It doesn't sound Cajun to me either.) I like the quaint-sounding 
formality of this tune.  It's played through seven times, but versions #1 
and #7 have an extra part.  The first four bars are played differently in 5 
of the first 6 go-rounds, with an extra half-measure the second time.
The first eight bars are played differently in the 7th and final version,
with another measure and a half added in. Hopefully this is sufficient
explanation to decipher the tab, which includes these permutations.
Measure 11 is variously played as 1, 1.5, and 2 measures, all just on D. 
I didn't bother to sort them out, but if variety or authenticity is needed 
just add a few more beats of D there now and then. It's played at a sprightly 
pace. It's a fiddle tune, so tremolo where sustain seems needed.

----||-1---1-1---------|-----------------|-----------------|-----------------|
----|o---------3---3-3-|-0---3-3-5---3-3-|-0---0-3-5-5-3-0-|-----0---3---3-3-|
----|o-----------------|-----------------|-----------------|-3---------------|
----||-----------------|-----------------|-----------------|-----------------|
       |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|


     |-----131-0-------|-----------------|-----------------|-----------------|
     |-3---ho------0---|-3---3-3-3---131-|-0---------------|-----------------|
     |-----------------|--------------ho-|-----5---5---3---|-3-------0---3---|
     |-----------------|-----------------|-----------------|-----------------|
       |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|

                                            see note 1
     |-----------------|-----------------|-----------------|-----------------|
     |-1-------1-------|-------------1---|-5-------5---5---|-3-------0-------|
     |-----------------|---------3-------|-----------------|-------------3---|
     |-----------------|-----------------|-----------------|-----------------|
       |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|

							see note 2
     |-------0-1-------|-------------131-|-0---0-0-0-------|-----------------|
     |-0-1-3-------0---|-3---3-3-3---ho--|-------------1---|-0---------------|
     |-----------------|-----------------|-----------------|-----5---5---3---|
     |-----------------|-----------------|-----------------|-----------------|
       |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|

                       __________	       _____________
                       |2. thru 6.   	 1. and 7.
     |---------------0-|-1---1-1-1------- |-1------1--------|-----------------|
     |---------0-1-3---|-----------------o|----3------------|--------1--------|
     |--3--------------|-----------------o|-----------------|-3---------------|
     |-----------------|----------------- |-----------------|-----------------|
       |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|



     |-----------------|-----------------|-----------------|-----------------|
     |-------------1---|-5-------5-------|---------5---5---|-3-------0-------|
     |---------3-------|-----------------|-----------------|-------------3---|
     |-----------------|-----------------|-----------------|-----------------|
       |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|


     |-------0-1-------|-------------131-|-0---------------|-----------------|
     |-0-1-3-------0---|-3---3-3-3---ho--|-----3-3-3---1---|-0---------------|
     |-----------------|-----------------|-----------------|-----5---5---3-3-|
     |-----------------|-----------------|-----------------|-----------------|
       |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|


                        1.                7.
     |---------------0-|-1---1-1-1-to top|-1-----1-1-1---1-|-----------------|
     |---------0-1-3---|-----------------|-----------------|-----------------|
     |-3---------------|-----------------|-----------------|-----------------|
     |-----------------|-----------------|-----------------|-----------------|
       |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|


First four bars, #2.  This one has an extra half measure.
|-1---1-1---------|-----------------|--------|-----------------|--------
|---------3---3---|-3---3---0---3-3-|-5---3--|-0---3-3-5-5-3-3-|-----0---3---3-3
|-----------------|-----------------|--------|-----------------|-3   to meas.5
|-----------------|-----------------|--------|-----------------|
 |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_|   |_|_|_| |_|_|_|

First four bars, #3
     |-1---1-1---------|-----------------|-----------------|-----------------|
     |---------3---3---|-3---3---0---3---|-5---3---3---3---|-----0---3---3-3-|
     |-----------------|-----------------|-----------------|-3---- to meas. 5|
     |-----------------|-----------------|-----------------|-----------------|
       |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|

First four bars, #4:  Same as #1

First four bars, #5

     |-1---1-1---------|-----------------|-----------------|-----------------|
     |---------3---3-3-|-0---3-3-5---3-3-|-0---3-3-5-5-3---|-----0---3---3-3-|
     |-----------------|-----------------|-----------------|-3---- to meas. 5|
     |-----------------|-----------------|-----------------|-----------------|
       |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|

First four bars, #6

     |-1-1-1-1---------|-----------------|-----------------|-----------------|
     |---------3---3---|-3---3---0---3---|-5---3---3---3---|-----0---3---3-3-|
     |-----------------|-----------------|-----------------|-3-----to meas. 5|
     |-----------------|-----------------|-----------------|-----------------|
       |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|

#7 - Replaces the first 8 bars with 9.5 bars

     |-1-1-1-1---------|-----------------|-----------------|-----------------|
     |---------3---3---|-0---3-3-5---3-3-|-0---3-3-5-5-3-0-|-----0---3---3-3-|
     |-----------------|-----------------|-----------------|-3---------------|
     |-----------------|-----------------|-----------------|-----------------|
       |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|

|-----------------|-----------------|---------|-----131-0-------|
|-3---3-3-0---3-3-|-5-5-3-0-----0---|-3---3-3-|-3----ho-----1---|
|-----------------|---------3-------|---------|-----------------|
|-----------------|-----------------|---------|-----------------|
  |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_|   |_|_|_| |_|_|_| |_|_|_|


     |-----------------|-----------------|-----------------|-----------------|
     |-1---------------|-----------------|-1-...-----------|-----------------|
     |-----5---5---3---|-3-------0---3---|--continue from measure 9----------|
     |-----------------|-----------------|-----------------|-----------------|
       |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|   |_|_|_| |_|_|_|

NOTES
ho = hammer on/pulloff.
1. Measure 11:  In several of the go-rounds an extra measure or half measure of
   D is inserted (i.e., holds on the D)
2. Measure 15:   The three eighth notes of E are sometimes substituted with C
   on the A string.