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| General Mandolin Discussions This area is only for those discussions that don't fit into other predefined mandolin categories. |
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#26 |
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Registered User
Join Date: Sep 2002
Location: Chapel Hill, NC
Posts: 1,481
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Loar was definitely a player! Jimmie Johnstone, before him, was as well. Gibson seems to often have had a hot professional player on the senior management staff. The real question is, how much of a builder was Loar? He certainly had vital input and I've seen pictures of him in a shop apron, but is it accurate to call him a luthier? No dig intended here (I greatly admire him). I'm just wondering how hands-on he was, because I have no idea. It would be cool if he were very hands on but certainly no knock if he was primarily a concept guy.
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Bob DeVellis |
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#27 |
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Hipster wannabe
Join Date: Oct 2004
Location: Calgary, Alberta
Posts: 407
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What a great trivia tidbit! I wonder how many Loar-signed fridges are out there...
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Dan P, Calgary, Alberta The truly heroic act is executing rampant and florid instrument aquisition in the context of a reasonably functional and enduring relationship. -Catmandu2 |
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#28 |
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Capt. E
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I remember reading somewhere that Lloyd Loar did not place the mandolin very high on the pantheon of musical instruments. He really didn't much like inacurracies of tone they produced and was never completely satisfied with the "improvements" he produced at Gibson. I suppose that, being a type A personality, he was never truly satisfied and always thought more improvements were possible. He was an accomplished musician/composer, but his living was made working as an acoustic engineer, especially on electronic amplification of keyboards. Gibson was only a few years of his life, but what a few years it was!
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Jammin' in South Austin with: '70's Shiro A '08 Weber Bighorn LeCapitaine Accordion Harmonica Penny Whistle My albums: http://www.mandolincafe.com/forum/album.php?u=7616 |
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