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| Looking for information about mandolins Have an old instrument you want to find out about? Want to discuss issues about vintage vs. new and related topics? Post here. |
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#1 |
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For those of you in the know...tell me about Larrys mando..its history...why the vine of life in the fingerboard, etc?...That mando has alot of mojo surrounding it. Also..at one point there was a builder making copys of Larrys mando..what about them...and where is Larrys axe today? It wasnt the best sounding thing I ever heard but it was very descriptive of Larrys sound that he had all his career.
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"I ain't as good as I once was~But I'm good once as I ever was" Austin Clark F5 #47 |
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#2 |
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...
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"I ain't as good as I once was~But I'm good once as I ever was" Austin Clark F5 #47 |
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#3 |
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....
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"I ain't as good as I once was~But I'm good once as I ever was" Austin Clark F5 #47 |
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#4 |
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Registered User
Join Date: Sep 2002
Location: North Carolina
Posts: 5,783
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Nice, Scotti.
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#5 |
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Thanks Buddy
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"I ain't as good as I once was~But I'm good once as I ever was" Austin Clark F5 #47 |
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#6 |
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Join Date: Aug 2003
Posts: 656
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Good questions Scotti, that thing sounded like a million bucks on the recordings.
Later F-5, 60s?, modified?
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Bill |
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#7 | |
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Quote:
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"I ain't as good as I once was~But I'm good once as I ever was" Austin Clark F5 #47 |
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#8 |
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Registered User
Join Date: Sep 2002
Location: Tryon, NC
Posts: 468
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Seems like Larry's mandolin was a 59. Didn't he do that fingerboard inlay himself?
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Russ Jordan |
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#9 |
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Thomas "Skip" Kelley
Join Date: Sep 2002
Location: Thomasville,NC
Posts: 1,258
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Russ, I believe you are right; a 59 custom. I always love the tone Larry got out of that mandolin. He will always be one of my favorites!
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#10 |
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Certified!
Join Date: Oct 2006
Location: Cincinnati, "Round on each end High in the middle"
Posts: 1,996
Blog Entries: 1
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That is a great picture --notice here you have two outstanding pickers not the least bothered, apparently, by the fingerboard extension that most of us regular morals remove or scallop on our mandolins.
I wonder if Larry's instrument wasn't either a copy or if it did start life as a Gibson it was re-graduated by someone like Randy Wood? I say this because it certainly would have been unusual to a '59 Gibson F-5 to have come out of the box a strong good sounding mandolin -- this just was not a good period for the factory. That said I have been told that even in this period a few good ones slip out the door at Kalamazoo -- I have never seen any. I have personally owned several F-models from that darker period and none of them were memorable.
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Bernie ____ "Pro" is to be for something and Con is to be aginst it. If PROgress is good, what is CONgress? |
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#11 | |
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Join Date: Sep 2003
Location: Panama Cit
Posts: 1,212
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Scotty
Quote:
But if you develop a style and play with the right folks you can play whatever kind of mando you want. Then it becomes part of your trademark. |
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#12 |
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Registered User
Join Date: Sep 2002
Location: North Carolina
Posts: 5,783
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As has been said so many times before, it's the picker and not so much the mandolin. He had a nice, laid back style, with some nifty moves, like his break on Farewell Blues off the Tony Rice Rounder LP. And he wrote a dandy tune Spring Fever, off one of his solo records.
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#13 |
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Registered Mandolin User
Join Date: Sep 2002
Location: Coffee Town USA
Posts: 5,899
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Yeah, I'd agree with comments on Larry's tone - instantly recognizable for sure. I've been enjoyed a tune called Jared's Rag from the Rice Brother's II recording - gotta add that one to my list along with Burnt Rice.
Funny now, looking at that picture of Larry with the Dawg reminds of another great tune he wrote called Artesia.
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Check out our website at http://www.staytunedbluegrass.com |
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#14 |
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vintagemandolin.com
Join Date: Oct 2002
Location: Richmond, VA
Posts: 215
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As I recall, Bryan England of Custom Inlay was going to make a Larry Rice model. Larry was supposed to sign the labels. They were expensive, I recall, around $8500 or so. Not sure if any of them were ever made.
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#15 |
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Registered User
Join Date: Jul 2007
Location: Caneyville, Ky
Posts: 47
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I don't recall that I was ever going to build a mando for Larry, but I would be willing to if he asked. It wouldn't be that expensive either.
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Bryan England |
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#16 |
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Join Date: Jul 2008
Posts: 408
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Don't be expecting him to ask very soon. He passed away in May of 2006. Maybe a commemorative model would be more appropriate.
Len B. Clearwater, FL |
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#17 |
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Registered User
Join Date: Sep 2002
Location: North Carolina
Posts: 5,783
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Larry did some fine mandolin work, like on brother Tony's first Rounder record. And he wrote good mandolin numbers, like Spring Fever.
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#18 |
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Registered User
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...hmmm..still definitive info on Larrys mando...the plot thickens.
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"I ain't as good as I once was~But I'm good once as I ever was" Austin Clark F5 #47 |
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#19 |
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Thomas "Skip" Kelley
Join Date: Sep 2002
Location: Thomasville,NC
Posts: 1,258
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One of my favs of Larry's was his duo with Wyatt. He does one called "Uncle Larry's garden". It is Larry through and through with that unmistakeable tone!
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#20 |
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Registered User
Join Date: Sep 2002
Location: Tryon, NC
Posts: 468
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I emailed Larry's uncle, Frank Poindexter. He says the Larry Rice model mandolin never got off the ground.
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Russ Jordan |
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#21 |
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Registered User
Join Date: Apr 2009
Posts: 220
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Frank said it is a '60 or '61. They were never sure.
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#22 | |
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Jeff
Join Date: Sep 2002
Location: Idaho
Posts: 2,880
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Quote:
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#23 |
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Registered User
Join Date: Oct 2002
Location: Salisbury,NC
Posts: 2,944
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I verified it as a '59 the last time he was at MerleFest.
It started life as a standard '59 F5 when he got it used. Nothing custom about it. Later on Larry had several things done to it like regraduations, new fingerboard and refinish. I would assume his family still has it. It was an important part of his musical life and served him well for several decades. Last edited by f5loar; 04-17-2009 at 03:46 PM. Reason: ms |
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#24 |
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Registered User
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Thanks for the info!
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"I ain't as good as I once was~But I'm good once as I ever was" Austin Clark F5 #47 |
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#25 |
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Registered User
Join Date: Dec 2007
Posts: 661
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I remember reading in a interview article I think it was Bluegrass Unlimited, that Larry said that John Duffy influenced his playing a lot when he first begin to learn mandolin. A long time ago in about '67-'68 Larry and brother Tony were at the Starr, North Carolina fiddlers convention. It was a tough one to go to, always was cold, and they held it in a livestock sell barn. Man you talking about slowing your fingers down, it was as rough as the cold wet days at Union Grove back in those days. Any of ya'll remember them?
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