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| General Mandolin Discussions This area is only for those discussions that don't fit into other predefined mandolin categories. |
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#1 |
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Still learning
Join Date: Sep 2008
Location: Cape Cod
Posts: 142
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Looking for a capo to fit my mandolin. What is your recommendation?
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#2 |
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Mark Evans
Join Date: Jan 2008
Location: Simi Valley, Ca
Posts: 1,282
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Parlor Boyle
I recommend you learn to play in all keys, then you won't need a capo. It's a challenge but also fun and rewarding. BUT! There's nothing wrong with using a capo on the mandolin if you choose to IMHO. There are those who belong to the CAPO POLICE but don't let 'em get to you. ![]() Now that my speech is over, the Shubb B**jo capo would work well. ![]()
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"You can pick your friends, and you can pick your nose, but you can't wipe your friends off on your saddle." |
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#3 |
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Destroyer of Mandolins
Join Date: Mar 2007
Location: New Jersey
Posts: 2,067
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Second the Shubb banjo capo.
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1. We are our own worst critics. 2. They're all drunk and don't care. 3. Sometimes you're just wallpaper. 4. Step off the stage and you're only a memory. 5. Music isn't a hard life. Coal mining is a hard life. 6. Mainstream music is not the only music. 7. If you want to be taken seriously, get serious. 8. If you think your strings are old, they are. 9. Tune it or die. 10. Mandolin bridges move. Unless you play an Ovation. |
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#4 |
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Innocent Bystander
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In addition to the Shubb, which I like and have used for years - I have one of those Keyser capos, with the high twirly section. Lots of guitar players love them, and I found that Keyser makes them mandolin sized.
Regarding using a capo - I only use a capo when I need to.
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If you are not playing music, you better be at work, church, or fishing. Try stuff out. Stick with what you like. Repeat. "You don't really feel the tune unless you play it for a long time" ---Tommy Jarrell |
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#5 |
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Registered User
Join Date: Mar 2009
Location: Martinsville, IN
Posts: 29
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Another vote for Shubb! They stay put and are fast and easy to use.
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#6 |
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Registered User
Join Date: Feb 2003
Location: Massachusetts
Posts: 1,058
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I've had much better luck with the Kyser mandolin/banjo capo than with their guitar counterparts. By luck, I mean tuning distortion. I far prefer Shubbs for guitar and assume their mando capos are just as good.
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Steve |
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#7 |
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coprolite
Join Date: Oct 2002
Location: Outer Spiral Arm, of Galaxy
Posts: 7,052
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depends on the neck profile : traditional V necks hard to use those , then you'd get the old fashioned
elastic and grommets, chromed nail and a plastic tube ones . cheap, if you don't like it after you got it , you ain't out much $ generally.. Banjo capos.
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mandolin wanker writing about music is like dancing, about architecture |
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#8 |
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Habitual User
Join Date: Oct 2002
Location: St. Louis, MO
Posts: 6,387
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#9 |
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Mando accumulator
Join Date: Mar 2006
Location: Rochester NY 14610
Posts: 4,893
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If you use a banjo capo (which I generally do), remember that they're made for flat fingerboards and may have problems with a radiused board.
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Allen Hopkins Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello Natl Triolian Dobro mando Victoria b-back Merrill alumnm b-back H-O mandolinetto Stradolin Vega banjolin Sobell'dola Washburn b-back'dola Eastmn: 615'dola 805 m'cello Flatiron 3K OM |
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#10 |
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Registered User
Join Date: Sep 2007
Location: NC
Posts: 919
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Second the Keyser...the Shubb is great--I use one on banjo--but I find I have trouble keeping up with it; the Keyser you can just clip on the headstock until you need it...I find it's just more convenient.
I'll agree the Keysers cause more tuning distortion (as you dial in the Shubb to the pressure you want) on guitar, and especially with jumbo frets...it's really a pain on my electric, but it's still the most convenient one out there to use. If you have larger fretwire you may have the same issue on mandolin...but, if you lose picks a lot, then the Shubb may not last long ![]()
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Chuck |
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#11 |
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Registered User
Join Date: Feb 2008
Location: Washington, DC
Posts: 103
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Of course your Key changing issues could also be solved with a Mandola (nature's capo).
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#12 |
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Registered User
Join Date: Dec 2004
Location: Long Island, NY, USA
Posts: 2,185
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I agree that a capo is a crutch and should be generally avoided. The exception is when you're just trying to sing a song and bring the mandolin up to your natural singing range. This is more of an issue with guitar, as it's tuned lower.
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Eastman 605 |
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#13 |
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jbmando RIP HK
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Suppose you had a mandolin all set up in GG DD GG BD open G cross tuning for a particular version of "Black Mountain Rag," and everybody at the jam complained that they wanted it in A? Would a capo be a crutch then?
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"I thought I knew a lot about music. Then you start digging and the deeper you go, the more there is."~John Mellencamp "Theory only seems like rocket science when you don't know it. Once you understand it, it's more like plumbing!"~John McGann "IT'S T-R-E-M-O-L-O, dangit!!"~Me |
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#14 | |
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Registered User
Join Date: Feb 2008
Location: Washington, DC
Posts: 103
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Quote:
That being said, of course a capo comes in handy for that freak singer/guitar player that wants to play in Bb or Gb (or E# and B#), and in fact there was a thread with Ricky Skaggs on youtube(I think in Ireland) playing with a capo, so the pros do it. I would say, of course keep it handy in your case (Shubb), but learn the keys......and buy a mandola (nature's capo) to drive the prices down so I can get one. |
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#15 |
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jbmando RIP HK
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Well, I did. It was a second mandolin, not my only one, and it was for the sole purpose of playing BMR the way Ronnie McCoury did it with Doc Watson.
Look, if you want an open string sound for backup rhythm mandolin in a key such as Ab, Db, Bb or Eb, a capo is about the only way you'll accomplish it without a massive amount of retuning or carrying 4 mandolins.
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"I thought I knew a lot about music. Then you start digging and the deeper you go, the more there is."~John Mellencamp "Theory only seems like rocket science when you don't know it. Once you understand it, it's more like plumbing!"~John McGann "IT'S T-R-E-M-O-L-O, dangit!!"~Me |
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#16 | |
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Innocent Bystander
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Quote:
But there are times when the capo is essential. Most often for me is when I have a particularly beautiful open string drone effect above or below the melody line. To do that in another key might not be possible. So no, don't let the capo be a crutch, a stumbling block to learning to play in all keys. By the same token don't be afraid of it, its a tool and has its uses. There are plenty of videos of great mandolinists using a capo.
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If you are not playing music, you better be at work, church, or fishing. Try stuff out. Stick with what you like. Repeat. "You don't really feel the tune unless you play it for a long time" ---Tommy Jarrell |
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#17 | |
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Mando accumulator
Join Date: Mar 2006
Location: Rochester NY 14610
Posts: 4,893
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Quote:
And the mandola's not quite "nature's capo"; no easier to play in Ab on the mandola than it is on the mandolin. But one good thing about mandola is that the Capo Taliban don't seem to threaten beheading when you capo it.
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Allen Hopkins Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello Natl Triolian Dobro mando Victoria b-back Merrill alumnm b-back H-O mandolinetto Stradolin Vega banjolin Sobell'dola Washburn b-back'dola Eastmn: 615'dola 805 m'cello Flatiron 3K OM |
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#18 | |
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Registered User
Join Date: Feb 2008
Location: Washington, DC
Posts: 103
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Quote:
1) yes joke....pops? ![]() 2) I agree about Ab, but mandola is not worst solution. And I also am amused about the capo reactions in general. |
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#19 | |
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Mark Evans
Join Date: Jan 2008
Location: Simi Valley, Ca
Posts: 1,282
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Quote:
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"You can pick your friends, and you can pick your nose, but you can't wipe your friends off on your saddle." |
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#20 |
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Eric Hansen
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i cast another vote for the shubb !
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Eric H Aloha a hui hou mandolin no ka 'oi |
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#21 |
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Registered User
Join Date: May 2005
Location: Halifax, UK
Posts: 345
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Nothing wrong in using a capo, a crutch ? next thing he'll be calling a pick a crutch, Santiago must be Chief of Capo Police.
Shubb is about the best capo IMO, I've seen the spring break on a Keyser, this can't happen with a Shubb Dave H
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2001 Paul Shippey oval hole 1917 Gibson A pumpkin top 1914 Vega Whyte Laydie style R Eastman 615 |
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#22 |
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Mark Evans
Join Date: Jan 2008
Location: Simi Valley, Ca
Posts: 1,282
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I don't look at capos as crutches but you can live, and play the mandolin, without them...Picks on the other hand...well I wouldn't know how to play a mandolin without one?!?
![]() Besides, a crutch is just a temporary device to use until your leg mends. Most folks don't use them for their entire life...thank G*d. ![]()
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"You can pick your friends, and you can pick your nose, but you can't wipe your friends off on your saddle." |
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#23 |
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Destroyer of Mandolins
Join Date: Mar 2007
Location: New Jersey
Posts: 2,067
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Other than improving the ability to modulate keys within a given tune, what advantage is there to playing without a capo? If someone calls a tune and says "I sing it in G#", I just clip on a capo while everyone else is clipping on their capos.
In what ways does playing without one improve the music for you? Does it make you more expressive? Emotive? Inovative? Does it improve your timing and phrasing? Your dynamics? In musical terms, what does the skill of playing in all keys get you? Seriously. I'm not criticizing one playing style or another. But if I were to put in all the time and work to learn to play without a capo, what could I expect it to bring to my music? If using a capo is a crutch, how am I hindering my music with one? I don't want to start the old argument, but I don't recall ever reading a reasonable explanation for it. All I ever hear is that famous players don't use capos, then somebody counters with an example of somebody famous using one. Why don't I want a capo? If it will make me a better musician, then I want to dump the capo, but how will it do that?
__________________
1. We are our own worst critics. 2. They're all drunk and don't care. 3. Sometimes you're just wallpaper. 4. Step off the stage and you're only a memory. 5. Music isn't a hard life. Coal mining is a hard life. 6. Mainstream music is not the only music. 7. If you want to be taken seriously, get serious. 8. If you think your strings are old, they are. 9. Tune it or die. 10. Mandolin bridges move. Unless you play an Ovation. |
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#24 |
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Registered Mandolin User
Join Date: Sep 2002
Location: Coffee Town USA
Posts: 5,899
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Munch, munch.
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Check out our website at http://www.staytunedbluegrass.com |
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#25 | |
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Mark Evans
Join Date: Jan 2008
Location: Simi Valley, Ca
Posts: 1,282
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Quote:
![]() It's true that it's hard to get that ringing 'open' sound say, in the key of Ab. But if you can play closed position up the neck in B maj for example, you can just as easily play the same thing in Ab. Some of the so called 'oddball' keys are so seldom played that I just prefer to play in those keys without a capo. ![]() Using, or not using a capo is not against the law...it's personal preference.
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"You can pick your friends, and you can pick your nose, but you can't wipe your friends off on your saddle." |
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