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| General Mandolin Discussions This area is only for those discussions that don't fit into other predefined mandolin categories. |
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#1 |
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Registered User
Join Date: Mar 2008
Posts: 71
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When I take it out of its case it is sharp. I've never had an instrument do that before and it drives me crazy. What happens that makes the strings go sharp?
Thanks, Bryan |
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#2 |
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Registered User
Join Date: Jul 2007
Location: Michigan
Posts: 699
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String tension makes them go sharp.
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#3 |
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Registered User
Join Date: Mar 2008
Posts: 71
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#4 |
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Registered User
Join Date: Aug 2008
Location: Seattle
Posts: 114
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It sucks! Just kidding. I think it has something to do with the humidity or temperature or something- a lot of tension on those strings compared to the other instruments. One of mine is always dead on the other one is generally flat when I take it out. Go figure.
Mike
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Mike You have your way. I have my way. As for the right way, the correct way, and the only way, it does not exist. Friedrich Nietzsche |
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#5 |
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Registered User
Join Date: Jan 2009
Posts: 586
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Humidity and or barometric pressure. Where I live the temperture stays almost the same year round,but when it rains I can count on every instrument I own going sharp.
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#6 |
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Registered User
Join Date: Mar 2008
Posts: 71
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I'm in L.A. and have never had issues like this before. Is this more common with mandolins?
Last edited by Bryan T; 03-03-2009 at 03:17 PM. |
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#7 |
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Mando accumulator
Join Date: Mar 2006
Location: Rochester NY 14610
Posts: 4,893
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Happens to a lot of instruments; I find Autoharps go sharp when I tune them in a drier environment, then pop them back in my more humid basement. Wood absorbs moisture from the air and expands slightly, stretching the strings out more.
Other possibility might be too-tight slots in the nut, which don't let all the additional tension you put on the strings when you tighten them, be transferred to the entire string length. As the instrument sits for a prolonged period of time, the tension may equalize, and the strings may become more tense (sharper) between nut and bridge. However, if you tune the mandolin up and play it for awhile, the playing action should work the strings in the nut slots and allow the even distribution of tension along the strings' length. So if you play it for half an hour, put it away in tune, and find it sharp when you take it out of the case, I would suspect that it's absorbing additional atmospheric moisture. And it could affect your mandolin more, if its construction is such that it absorbs the moisture more readily. I would hazard a guess (some knowledgeable person correct me if I err) that mandolins, having short-scale, higher-pitched strings, might exhibit the effects of humidity changes more noticeably than guitars, basses etc.
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Allen Hopkins Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello Natl Triolian Dobro mando Victoria b-back Merrill alumnm b-back H-O mandolinetto Stradolin Vega banjolin Sobell'dola Washburn b-back'dola Eastmn: 615'dola 805 m'cello Flatiron 3K OM |
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#8 |
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Registered User
Join Date: Aug 2005
Location: Riverside, California
Posts: 22
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I live in Southern California. A few ears ago I took my mandolin to Idylwild (5200 ft.), and got a vivid demonstration of the effects of pressure and humidity. The drop in pressure, plus the dryness made it go almost a half step flat. Then a thunderstorm came through, and it was a quarter step sharp.
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Brian Unitt Peter Coombe A5 #119 Arches Flattop #5 Petersen Level 1 OM Ad astra per aspera |
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#9 |
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Registered User
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The combination of a short scale length and the carved arch construction contribute to an instrument that will exhibit pitch changes due to differences in humidity.
There is friction at the nut and at the bridge. When you're finished playing the string tension behind the nut and behind the bridge will be a little more taught as compared to the "speaking length" of the string. As the mando relaxes this extra tension can even out along the complete length of the string, which will make the speaking length go a little sharp.
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Wye Knot |
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#10 |
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Registered User
Join Date: Sep 2007
Location: Seattle
Posts: 11
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Thanks for the answers. I've noticed this with my Collings MT and for the life of me couldn't figure out why. Loss of tension would make sense, but more tension I didn't understand. And its happened to me regularly all this winter in the rainy Pacific Northwest.
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#11 |
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Registered User
Join Date: Mar 2008
Posts: 71
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#12 |
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Registered User
Join Date: Oct 2007
Location: Ont. Canada
Posts: 200
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Bridge creep is another possibility. The string angle is greater on the tailpiece side of the bridge. This tends to slightly push the bridge toward the nut, shortening you scale length and sharping your notes. Happens on my archtop guitar too. Check your intonation.
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#13 |
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Registered User
Join Date: Dec 2004
Location: Long Island, NY, USA
Posts: 2,186
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Also the cold will make your strings contract and tighten. Where do you keep it when not in use? When you play your hands really do warm it up.
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Eastman 605 |
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#14 |
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Registered User
Join Date: Jan 2009
Posts: 36
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I live at lake hemet (close to idylwild) at 4400 ft., and I have the same problem with both of my mandos, but not the guitar or banjo that i'm aware of. Couldn't figure it out at all!
Frank |
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#15 |
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Registered User
Join Date: Mar 2006
Location: Manchester - Lancashire - NW England
Posts: 2,976
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Temperature !. I've found that when 'cold',both my Mandolins go sharp & when 'warm',both go flat.
Usually,when i take either out of it's case,it's cold & sharp by maybe 10 cents. As long as it's in tune with itself,i just play it like it is,within half an hour it's back to being properly 'in tune'. Constantly slackening & tightening the strings by such small amounts,when i know that when it warms up/cools down,i'm going to have to re-tune,is something i've stopped doing, Saska
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Weber F-5 'Fern'. Lebeda F-5 "Special". Stelling Bellflower. Tanglewood TW-1000SR. Tokai - 'Tele-alike'. |
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#16 |
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Ursus Mandolinus
Join Date: Sep 2002
Posts: 1,649
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One thing that is kind of neat is how consistantly sharp it can go; the entire instrument is still perfectly tuned to itself, but sharp. It is more annoying to me to have to flatten a perfectly in-tune mandolin to get it to pitch than it is to tune one that is at least out of tune....
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http://scottlearmonth.tripod.com |
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#17 | |
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Registered User
Join Date: Jan 2009
Posts: 586
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Quote:
An old girlfriend of mine and I had this oldtime music thing we did and we were hired by the National Park Service to travel around and do these little nightime campfire shows to entertain the campers. The only problem was we had to perform next to a bonfire with constant changing temperatures and to try and stay in tune was so difficult. We started out by standing but found that if we sat on the ground and tried to squeeze ourselves as small as possible we could find the spot with the most consistant temperature and the least amount of retuning. So it was sort of a combination oldtime music and circus contortionist show. |
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#18 |
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Registered User
Join Date: Mar 2006
Location: Manchester - Lancashire - NW England
Posts: 2,976
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Hey Fretbear !, that's exactly it in one. Like i said, i personally just leave it to warm up these days
unless i want to play along with something,then there's no option. I have a lovely Tanglewood Guitar with solid Rosewood back & sides & Engleman spruce top,that i'm ashamed to say,i hardly play.Over 6 moths ago i put new strings on it & tuned it up.After an hour or so playing it,it had gone a bit flat (strings stretching),i tuned it up & put it back in it's case. I played it last week for the first time since then,as i had a friend come down to my home & he wished to see it - it was perfectly in tune,much to my surprise i might add,but in tune it was, Saska
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Weber F-5 'Fern'. Lebeda F-5 "Special". Stelling Bellflower. Tanglewood TW-1000SR. Tokai - 'Tele-alike'. |
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#19 |
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Mark Evans
Join Date: Jan 2008
Location: Simi Valley, Ca
Posts: 1,282
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The thing I like least about my mandolin is that it's not a Lloyd Loar! HaHaHa
![]() But really, the thing I like least about my mandolin is that it needs a set up and I'm on a d*mn waiting list! ![]()
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"You can pick your friends, and you can pick your nose, but you can't wipe your friends off on your saddle." |
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#20 |
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Registered User
Join Date: Jan 2008
Posts: 297
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Allen H. has it correct; the durn things pork out in a humid environment.
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#21 |
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Mando accumulator
Join Date: Mar 2006
Location: Rochester NY 14610
Posts: 4,893
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Banjo heads, if made of calfskin or other animal skin, are definitely hyper-sensitive to temperature and humidity changes. Modern Mylar etc. heads are somewhat less so. You find banjos from the '20's and '30's wired with electric lights inside the shell; these were partially for theatrical effect, and partially to provide heat to keep the banjo head taut.
I was using one of my 19th-century banjos for a Civll War songs workshop at the New England Folk Festival a decade ago, and left it outdoors in the sun for 20 minutes before my start time. Passers-by twice thoughtfully moved it into the shade to avoid "damage"; I had to tell them that I was deliberately heating it up to get the head taut as possible! As any bodhran player about the effects of humidity...
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Allen Hopkins Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello Natl Triolian Dobro mando Victoria b-back Merrill alumnm b-back H-O mandolinetto Stradolin Vega banjolin Sobell'dola Washburn b-back'dola Eastmn: 615'dola 805 m'cello Flatiron 3K OM |
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#22 |
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The Bloomingtones
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I think my neck angle is a little too steep. When I had it setup to lower the action, the luthier thought the neck angle was a little too steep and lowered my action as best possible without thinning out the bridge too much.
It's still higher than ideal, but I've learned to live with it. It does have a great sound for the value.
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Scot Bloomington, IN http://www.thebloomingtones.com/ (The Bloomingtones Website) The Bloomingtones MySpace Site (The Bloomingtones Website) |
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#23 |
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Mike Parks
Join Date: Jul 2007
Location: Knoxville Arkansas
Posts: 1,950
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Hmmmmmmm ?... the thing I like least Hmmmmmm ... NOTHING ... I am a happy camper
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I Pick, Therefore I Grin! 1919 Gibson A4 '06 Gibson F5 Goldrush '47 Gibson L7 |
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#24 | |
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Registered User
Join Date: Jul 2008
Location: Brisbane, Queensland, Australia
Posts: 351
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Quote:
You would think somebody would come up with a mandolin with an adjustable neck. Instead of tweaking each string, wind the neck in and out. Saska, isn't the humidy in Manchester constant at 95%? Love the Tanglewood! At a couple of years old now, mine keeps sounding better and better.
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#25 |
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Registered User
Join Date: Nov 2005
Location: Spain
Posts: 50
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The thing I like least about my mandolin is ME.
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