This arrived today, and there are some pleasant surprises.
The finish is better than I hoped for, and the OHSC is very sturdy. The headstock inlays are MOP and the rosewood fretboard had white dots, possibly shell. The bridge appears to be ebony and is compensated.
These were made from 1974 to around 1980 I think. First listed in the 1974 Catalogue.
I am still fairly new to mandolins and do not have many to compare with but the first impression is that there is plenty of volume and that it leans towards the trebly side, at least in comparison with my Paris Swing Oval hole. It is not harsh though, somewhat sweeter than the Paris Swing though not as full bodied, if that makes any sense. I will put some J74s on them both to get a better comparison as this one has what I think are older nickel strings. It had belonged to the seller's father and has not seen much use so I have no idea how old the strings are.
The top is spruce and the back is maple with some nice figuring. The neck has a pronounced V profile and it is really easy to play. There were some cloudy areas of the finish on the top near the bridge which polished out easily with some Virtuoso Polish. This fact plus some evidence of mild surface checking on the top lead me to believe this might have a nitro finish. I posted links to the catalogue pages here a few days ago but my Japanese is not as good as it used to be so maybe someone can clarify this detail.
I will put a K&K in either this one or the Paris Swing for live work but as yet I am undecided.
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