I like the look of that watermelon.
I actually played it (or its sibling). Sounds really great! I would have said "sweet and juicy" but Bill beat me to that joke years ago...
Jason Anderson
"...while a great mandolin is a wonderful treat, I would venture to say that there is always more each of us can do with the tools we have available at hand. The biggest limiting factors belong to us not the instruments." Paul Glasse
Stumbling Towards Competence
Well here's a cool looking Octave : http://www.mandolincafe.com/ads/71526
No matter where I go, there I am...Unless I'm running a little late.
The reason the people who made these used a different (pear-shaped) body was because the string tension on a mandolin is many times greater than on a tenor banjo. The pear-shaped body offered a lot more structural support for the neck. (This is also why most mandolin banjos have pulled-up necks.)
This thread has really strayed from the Iucci/Tieri instruments that started it.
PS: I own one of those Framus Black Rose Baby mandolins—plywood junk, best as a wallhanger.
Last edited by Paul Hostetter; Jan-27-2014 at 3:29pm.
Oh, I thought it was only one round thing and a long wiggly thing but you could be on to something Marty. I'm going to put my plans into a Petri dish with some nutrient gel and see what happens.
Well, one of the things that inspired this idea for me was noticing how some F5s seem to look like a circle with various attachments. And then if you look at the original Loar A5, it's really rather round.
http://www.mandolinarchive.com/gibson/serial/74003
I thought you were just playing around.
This is a very interesting thread with great pictures. Thanks to everyone who contributed
So David have you finished an instrument of any shape yet?
Bill Snyder
..
David----since making the two circular mandos that are shown in post number 25, I have completed an octave. There is nothing new under the sun---when I had completed the mandos I ran across some vintage photos of a Gretsch guitar using the same form. I built the instruments with a graphite rod running longitudinally from the top block running longitudinally to the tail block to work against the two ends against the middle and minimize any lifting or shortening along the string line. I can leave these instruments hanging for a month, come back to them and they are still right in tune. I believe that without the graphite rods that a pulling up of the neck might occur as happens in some banjos. I always get the odd response when I show up at a jam--attitudes change when their volume cuts
through some of the loud players.
Concerning round mandolins.......I just posted three photos on the Mandolin Cafe Forum Photos Section of a mandolin I recently acquired..........a 1921 Coulter mandolin. There is an article about F.E. Coulter in the November 2015 issue of Vintage Guitar magazine. Thanks.
This one just popped up in another thread:
http://www.mandolincafe.com/forum/sh...nkey-headstock
I have a round bodied mandolin which I am looking for information on
http://www.mandolincafe.com/forum/sh...nkey-headstock
I still think it was made in Vietnam. The round body doesn't make this unique and it certainly wasn't built by any of the American builders that built round mandolins. What makes this unique is the headstock carving.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
I see why you'd guess Vietnam, but I think it looks European, ref: the bridge, the tuners, and the style of the carving, which owes more to cuckoo clocks than to netsuke. And it looks to have been made before WWII.
I also think that if this was made somewhere in Asia, it was commissioned by a Westerner who had a damaged mandolin from which some parts were salvaged and redeployed. And I would suggest China, because of the carving.
Looks quite cool, I'd love to hear it!
Look at the carved bat mandolin linked to in her other post. There is French writing and a dated label on that one. Looks kind of the same. That one was created for a gathering of the French colonies in the early 1900's. Apparently the Vietnam colony was building fine carved instruments for the French market. It looks Europeon because that's who they learned from and built for. I still think it's Vietnamese.
"It's comparable to playing a cheese slicer."
--M. Stillion
"Bargain instruments are no bargains if you can't play them"
--J. Garber
It is round , but a Uke http://www.gretschguitars.com/produc...blue-sunburst/
writing about music
is like dancing,
about architecture
Jim
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1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
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