I'll provide my two cents worth here. The only Savannah that is worthwhile at all is the SA-120. The 100 and 200 are plywood junk and they sound like plywood junk. I actually had a Johnson SA-120 (now Savannah) that was a fairly decent sounding instrument and I would have kept it as a beater except that it had a severe sagging top on the bass side that forced me to have the bridge about a 1/4" higher on the bass side than on the treble side. I was always expecting it to collapse at any time. The low end tone on that mandolin was actually quite amazing but the high strings sounded terrible. Harsh and compressed, especially when played hard. It wasn't too bad when played lightly, but as soon as you put a little beef into it, the sound went to H _ _ _. It really amazed me at how the low and high tones of this mandolin could be so different. The low end was so good that if I only played on the G and D strings, I would think I was playing a very high dollar mandolin. But, as soon as the picking got to the A and E strings I was immediately reminded of how cheap this thing was. Keep in mind, this is the best Savannah I have ever heard. Every other Savannah I have heard was junk, and they play like junk, unless you can get someone to do some magic to the set up. You are much better off buying from a Cafe sponsor and getting a Kentucky. And, I would stick to a A model. There are no good F models for under $200. As Allen said earlier, there are major compromises in building a F model for that price.
Bookmarks