Similarities include: red spruce, hard maple, lacquer, nickel-color hardware.
Differences include: color, F vs oval hole, neck length, fingerboard extension, bracing, flat vs. radiused fingerboards, small SS vs medium Evo-gold fret wire, inlay.
Similarities include: red spruce, hard maple, lacquer, nickel-color hardware.
Differences include: color, F vs oval hole, neck length, fingerboard extension, bracing, flat vs. radiused fingerboards, small SS vs medium Evo-gold fret wire, inlay.
John Hamlett
www.hamlettinstruments.com
more...
John Hamlett
www.hamlettinstruments.com
few more...
John Hamlett
www.hamlettinstruments.com
A couple of individual "studio" pics.
Thanks for looking!
John Hamlett
www.hamlettinstruments.com
Very nice! Thanks for sharing.
Oval holes just are looking better and better to me -- beautiful instruments both
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1920 Lyon & Healy bowlback
1952 Strad-o-lin
1983 Giannini ABSM1 bandolim
2006 Rogue (my toy)
2009 Giannini GBSM3 bandolim
2011 Eastman MD305
John, those are awesome! What is the veneer on the back of the peghead on the oval hole?
Gorgeous, gorgeous, gorgeous. Headstocks don't get much better looking than that. Would love to hear them. That script inlay is amazing.
martinjacobson.com - Dedicated to producing affordable instruments with great tone & playability
Similarity continued: They both look phenomenal.
Jamie
There are two things to aim at in life: first, to get what you want; and, after that, to enjoy it. Only the wisest of mankind achieve the second. Logan Pearsall Smith, 1865 - 1946
+ Give Blood, Save a Life +
Skip, that's macassar ebony. I liked the way it looked against the mahogany neck, and so did the customer, so I didn't darken it to look more "traditional", though in many ways, that's about the most traditional mandolin I've made in a while.
John Hamlett
www.hamlettinstruments.com
John: I was wondering when you would build a traditional oval hole. I think, by looking , that it is std Gibson neck join? What kind of bracing is inside?
Jim
My Stream on Soundcloud
Playing lately:
Brentrup A4C -- 1915 Frank Merwin Ashley violin -- 1904 Embergher Type 3 -- 1937 Gibson L-Century -- 1939 Gibson L-00 -- ca. 1890s Celebrated Benary Banjo -- 1985 Monteleone Grand Artist Mandola
The neck construction is like the older Gibsons in that there is no elevated extender over the body, but instead the fingerboard is glued to the wood of the top itself. Yep, this one is pretty traditional with the flat 'board, small frets, black top finish, and Gibson-style rosette (from Roger Siminoff). The bracing, however, is an X rather than the more traditional single transverse brace (that I know you to be a fan of).
John Hamlett
www.hamlettinstruments.com
Interesting, John. I bet it sounds wonderful.
Jim
My Stream on Soundcloud
Playing lately:
Brentrup A4C -- 1915 Frank Merwin Ashley violin -- 1904 Embergher Type 3 -- 1937 Gibson L-Century -- 1939 Gibson L-00 -- ca. 1890s Celebrated Benary Banjo -- 1985 Monteleone Grand Artist Mandola
Absolutely beautiful!
== JOHN ==
Music washes away from the soul the dust of every day life.
--Berthold Auerbach
John, first class! I love the black top.
Mighty fine..
Hughes F-5 #1
Hughes A model #1
1922 Gibson A-2
1958 Gibson A-5
just great!
f-d
ˇpapá gordo ain’t no madre flaca!
'20 A3, '84 1N, '84 A5-1, '06 Phoenix Bluegrass, 2012 Cohen A5, 2012 Muth A5
As always, exceptional and beautiful.
Very nice. Thanks for the pictures.![]()
Excellent work as usual!
"...while a great mandolin is a wonderful treat, I would venture to say that there is always more each of us can do with the tools we have available at hand. The biggest limiting factors belong to us not the instruments." Paul Glasse
Stumbling Towards Competence
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