Don't want to drill into my VFern, but need temporary amplification...can't invest much. Any ideas?
Don't want to drill into my VFern, but need temporary amplification...can't invest much. Any ideas?
Stand in front of a Microphone is always recommended ..
It may be with the house gear already.. can't beat Free for the use.
Wires?
Dean Markley (or similar) lollypop on a string piezo to temporarily attach to the outside of the soundboard..
try it W/O Preamp , if not good enough get a piezo Pre like Baggs or Fishman.
then you have a Line level output..
writing about music
is like dancing,
about architecture
Mic on a stand is the classic solution.
Cheapest alternatives for attaching to the instrument that I've seen, if cost is the main criterion, are either a piezo pickup like the Dean Markley DM-3000, or a "tie-clip" electret mic such as Radio Shack sells. Both around $30.
I've just dangled one of the Radio Shack mics into the soundhole of an instrument, and produced an "amplified sound" that was acceptable in a rough-and-ready fashion. Worked in a pinch.
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
By temporary do you mean you want to be able to remove it or that you'll only use it once or twice? How cheap is cheap? A mic will give you the best tone available. It makes little sense to invest in a fine instrument and spend years perfecting your art and then play through some cheap garbage amplification because it's only once in a while. It's like saying it's OK if I sound bad if it's only when people are listening.
Dedicated Ovation player
Avid Bose user
All good posts, and thanks! And..touche' Tim...I'll just have to make sure that the drummer plays no louder than I can get a condenser up to. Mic'ed tone is the best tone. Thanks again.
I hope I didn't come across as a wise guy, but my point is just that good amplification will make a poor instrument sound its best, while poor amplification will make a fine instrument sound its worst. It's simply remarkable the number of folks who will write in to ask how to amplify their multi-thousand dollar, hand-crafted mandolin for thirty bucks.
Last edited by Tim2723; Jul-19-2012 at 10:37am.
Dedicated Ovation player
Avid Bose user
Maybe you can get some 'brushes' for the drummer, to soften percussion a bit.
writing about music
is like dancing,
about architecture
With drums, I wouldn't bother with a condenser. Good ol' SM58 does a fine, feedback resistant job.
Mitch Russell
Will playing an acoustic mandolin with drums and maybe electric guitars in the band really work at all?
Depends on the volume. Mics can quickly become problematic, so you switch to a soundboard pickup, then a piezo bridge, then a dedicated AE design, and eventually a solid-body. Once those start feeding back, well...
And as for being seen and not heard, once the feedback starts to howl it will be the loudest thing on stage.
Dedicated Ovation player
Avid Bose user
Yes, it does work. I've played quite a few gigs like this. Just like any performance, you need to know sound setup, or use someone who does. If you can set up the mando so its not in the direct line of fire from one of the mains or a cranked-up monitor, and you can rein in the guitarist's ego (i.e., amp setting) it can work great. But, there have been times where I played with drums, electric guitar, bass guitar, sax and near deaf singer/acoustic box player who "needed" the monitor blasting him full on. Also, the stage just wasn't big enough for all of us, and I ended up being crammed over by one of the PA mains. Hard to be heard and keep the feedback down.
I actually used this mic for years. You might have a hard time with monitors, but it only costs $32 at Radio Shack and sounds pretty darn good. I currently use on for my stand up bass and run it into a Gallien-Kruger bass amp with amazing results. For mandolin, I just clipped it onto the F-hole.
Larry Hunsberger
2013 J Bovier A5 sunburst w/ToneGard
D'Addario FW-74 flatwound strings
Custom Wegen TF180 w/no bevel
Weymann&Sons bowlback
Ibanez PF5
1993 Oriente HO-20 hybrid double bass
Small body guitar converted to octave mandolin
Hi fernmando,
Did you ever find a pickup?
If not I'd like to give you one.
I own the company BG Pups Pickups and I have 2 new removable mando pickups coming out and I would be happy to send you one for free.. If you'd like one let me know. Here's a clip I did with one of them this weekend. http://soundclick.com/share.cfm?id=11795706
Here's another clip http://soundclick.com/share.cfm?id=11793983
If any one else is interested please let me know..If this post is considered spam also let me know as I'm not here to spam you guys. I'm a mando player and have been reading these forums for years...Thanks!!!
Amen. I can't believe the number of "serious" musicians who won't pay the ticket for the best equipment possible, then just as bad, not take the time to really nail it down with practice until it's bulletproof.
Drummer, you say? Then maybe solid body is the way to go, or at least arrange the band so no mics need to face the drummer. If all instruments are acoustic then why not change the drummers kit so it's not the traditional drumset. There was a band kicking around here for a while and the "drummer" was using empty boxes, hubcaps, all sorts of junk, but the key was that he could play very rhythmically without overpowering anyone. Plus, it was a hoot to watch him.
I would love to have one of your pickups for free If your offering
I have also been trying to find a cheap amplification solution for the occasional time I need to be amplified, or if I need to record something. Me and a buddy like to record things occasionally, but have resorted to just using our iPhones to record. They work pretty well as our poorman's solution, but I would love to try another option.
Yes, I'd love to try your pickup. Sorry for the delay in responding...I teach mando for a living, and am in a couple busy bands.
Just received the Gunsher pickup over the weekend. OK on guitar, fabulous on my mandolin. So far I am playing through a Fender Vibro Champ XD (5 watt tube amp with DSP) set on the "16" setting which is acoustic simulation. I am presently playing through my Bose L1 compact stick. Fat tone, even has a respectable "chop". I'd estimate the sound as being around 75% acoustic in tone. I think an EQ pedal will be the next step. Sounds ok without a preamp-probably even better with one. Will be using this one live!
Sounds great, congrats! One thing: Have you tried using the Bose Compact in its collapsed position (without the extension towers)? You may find your estimate goes up a bit from 75% if you do that. When used only as an instrument amp you get better results with the speakers all on one level and raising the whole thing up for better projection.
Dedicated Ovation player
Avid Bose user
Exactly what I'm doing, Tim...the Bose in one small chunk. Brilliant minds think alike![]()
Hmmm..If that's the case then I'm not very impressed with the 75% evaluaton on the Gunsher pickup. I would want a much higher number before I invest in something new.
Dedicated Ovation player
Avid Bose user
Why dont you try one before you knock my pickup. I've been making pickups for close to 10 years. I do know how to get great tones.
If you want to try one pm me. Otherwise I'd appreciate it if you didn't make assumptions of my work..Thanks!!!
Just so you guys know. My pickup company is BG Pups. Thats what my pickups are called.
fernmando thanks for the review.
Here's a video demo I made yesterday. This played through a Fishman Loudbox mini.
Bookmarks