Yup, just like saying "varnish" - "epoxy" doesn't really tell the cognizant listener very much!
I suppose I don't understand the resistance to the traditional woodworking techniques. But I'm probably more stuck in 1730 than I realize.
Yup, just like saying "varnish" - "epoxy" doesn't really tell the cognizant listener very much!
I suppose I don't understand the resistance to the traditional woodworking techniques. But I'm probably more stuck in 1730 than I realize.
Stephen Perry
www.giannaviolins.com - Primarily violin family, The Loar
mandovoodoo.com - Acoustic optimization for mandolins, violins, guitars
gypsyjazzguitars.com - The Loar, Gitane, Cigano, Cordoba, Loriente
stephen.perry.esq Skype
You're not the only one and it's a great place to be! I have the great fortune to be able to attend one of the great violin making Schools on an evening class basis, I have developed a real appreciation for doing things the right way with hand tools. It gives me more please than anything I have ever done and probably more challenges. Some baulk at the complete absence of power tools (except for a Tormek) but I find it really helps me understand and think about the processes required.
The more experience I have, the fewer tools I usually use, but an interesting set of tools each used for one cut on one type of object is arising.
I find the non-violin folks seem to use scrapers less than the violin folks. I have an odd mix of metalwork, engine work, woodwork, and boat work in my past. Makes my perspective different I'm sure.
Stephen Perry
www.giannaviolins.com - Primarily violin family, The Loar
mandovoodoo.com - Acoustic optimization for mandolins, violins, guitars
gypsyjazzguitars.com - The Loar, Gitane, Cigano, Cordoba, Loriente
stephen.perry.esq Skype
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