Jeremy. I think it's more than a fetish with you man. Your obsesed! Not that that's a bad thing. Your obsessed with anything mandolin.
Jeremy. I think it's more than a fetish with you man. Your obsesed! Not that that's a bad thing. Your obsessed with anything mandolin.
This is VERY true. #I am expecting to just turn into a giant mandolin one day! #I did think of getting f-holes tatooed on my stomach or back. #I am very sick and I need some mando therapy.
If F-model mandolins have F-holes then why don't A-model mandolins have A-holes???
.....or maybe just some therapy of any kind!
If F-model mandolins have F-holes then why don't A-model mandolins have A-holes???
it would be cool to get them tatooed on both side of your navel...Then maybe a series of frets up your neck, culminating with you last name on your forehead.Originally Posted by (mandoJeremy @ Aug. 03 2005, 22:39)
Just kidding, but I know what you mean
http://www.stephaniereiser.com then click mandolins
Great image, Stephanie! LOL
Re: the OM... the fretboard is slightly radiused...did it kind of freehand, so can't give a precise number. It's enough to not feel concave to me as the flat ones do (just cuz I'm used to radius).
That spalted maple rosette was Don K's. It's gorgeous and I'm really happy with the look of wood on wood on wood.
I would LOVE to build more...I don't really have a good workspace is the problem. I'm working on re-arranging things in my house so that I can...then probably will try the IV kit.
Karen Escovitz
~~~~~~~~~~~~~~
Otter OM #1
Brian Dean OM #32
Old Wave Mandola #372
Phoenix Neoclassical #256
~~~~~~~~~~~~~~~~~~~
If you're gonna walk on thin ice, you might as well dance!
hey... if the name is on the forehead, I guess that puts the flowerpot square on the nose, right?
Karen Escovitz
~~~~~~~~~~~~~~
Otter OM #1
Brian Dean OM #32
Old Wave Mandola #372
Phoenix Neoclassical #256
~~~~~~~~~~~~~~~~~~~
If you're gonna walk on thin ice, you might as well dance!
The #007 is now started .
European spruce top , carbon fiber rod for the neck , sycamore maple for the side and the one piece back .
Jean Lacote
http://perso.wanadoo.fr/jl-mando
Other view
Jean Lacote
http://perso.wanadoo.fr/jl-mando
I tested a new technique for drawing the cutting of the fretboard, with a ribbon stuck and a permanent marker ,
it work well .
Jean Lacote
http://perso.wanadoo.fr/jl-mando
is it the angle or is that neck wider than standard french guy? looks great though!!!
Dfyngravity , probably the angle of picture , because
all mesurements are standard .
Jean Lacote
http://perso.wanadoo.fr/jl-mando
French Guy....you missing some sound holes? going for traditional f's? I think some s holes would be pretty sweet on that one.
mandoman15 , the soudholes will be make soon and will be this form
Jean Lacote
http://perso.wanadoo.fr/jl-mando
Here’s my latest. The F5 has Red Spruce and a one-piece Red Maple back. The H5 style mandola has a one-piece top made from a huge old chunk of Sitka and the back is one-piece Western Big Leaf Maple. Here are the fronts.
Gail Hester
...and the backs.
Gail Hester
Wow, Gail! Really great workmanship, and I love that wood.
Is a one-piece back harder to work with? or more expensive?
Very nice!
http://www.stephaniereiser.com then click mandolins
Thanks Stephanie. One piece plates are not harder to work other than there is no built in center line so you have to establish one early on and keep track of it. So far I have not been charged more for one piece backs but I’m sure it depends on your supplier and the availability.
Gail Hester
here's something in progress.... i've been experimenting with alternative bridges, heres number three, it's cherry with oblique compensation, i strategcally drilled the holes to remove mass while retaining strength. it's very light (lighter than my loar style bridge) and looks pretty cool. I found that this brdge amped up the upper register in all areas, the hjighs are brighter louder and have more sustain, unfortunately my lows seem to have gone down the toilet, the lows are dull and volume-less, and have no sustain, they just go thunk, and i dont mean the good kind....what would attribute to this, the bridge was made to my best ability to be symmetrical, and it was fitted perfectly to the body. anyway, just an ongoing experiment....anyone else have anything in the bridge deparment in an ongoing state???
you maynoitice that i have broken an e string, and chipped the slot out, this occured after i ran my diagnostic test..
i have since chucked this bridge in favor of teh traditional one, but i will continue to experiment, i'm thinking, ebony topped maple in a similar design, but perhaps a little more delicate
Her are 3 mandos that I plan on having at IBMA, finished hopefully. Hope the photo isn't too arty
french guy, those soundholes are gonna be killer, nice!
Over 100,000 views on this thread. Loar picture of the day is not far behind either
Darryl G. Wolfe, The F5 Journal
www.f5journal.com
mandoman15, neat idea on the bridge. Your picture just inspired an interesting idea: a tunable, adjustable bridge. I'll be back with that thought.
Here's the new F peghead design. Going to do it on an upcoming A as well...
Nice peghead design OldTymer. To my inexpert eye it looks modern, old-fashion, with a hint of the standard f5 peghead, all in one. I wish I had your talent.
-John.
Ah! must --
Designer Infinite --
Ah! must thou char the wood 'ere thou canst limn with it ?
--Francis Thompson
Tom Ellis,great looking trio,glad to see your producing mandos again.Had the good fortune to play an older one of yours and thought it was fantastic sounding and looking.
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