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Thread: Mandolins in progress

  1. #1251

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    Jeremy. I think it's more than a fetish with you man. Your obsesed! Not that that's a bad thing. Your obsessed with anything mandolin.

  2. #1252
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    This is VERY true. #I am expecting to just turn into a giant mandolin one day! #I did think of getting f-holes tatooed on my stomach or back. #I am very sick and I need some mando therapy.
    If F-model mandolins have F-holes then why don't A-model mandolins have A-holes???

  3. #1253
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    .....or maybe just some therapy of any kind!
    If F-model mandolins have F-holes then why don't A-model mandolins have A-holes???

  4. #1254
    Violins and Mandolins Stephanie Reiser's Avatar
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    Quote Originally Posted by (mandoJeremy @ Aug. 03 2005, 22:39)
    #I did think of getting f-holes tatooed on my stomach or back. #
    it would be cool to get them tatooed on both side of your navel...Then maybe a series of frets up your neck, culminating with you last name on your forehead.
    Just kidding, but I know what you mean
    http://www.stephaniereiser.com then click mandolins

  5. #1255
    Registered User otterly2k's Avatar
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    Great image, Stephanie! LOL
    Re: the OM... the fretboard is slightly radiused...did it kind of freehand, so can't give a precise number. It's enough to not feel concave to me as the flat ones do (just cuz I'm used to radius).

    That spalted maple rosette was Don K's. It's gorgeous and I'm really happy with the look of wood on wood on wood.

    I would LOVE to build more...I don't really have a good workspace is the problem. I'm working on re-arranging things in my house so that I can...then probably will try the IV kit.
    Karen Escovitz
    ~~~~~~~~~~~~~~
    Otter OM #1
    Brian Dean OM #32
    Old Wave Mandola #372
    Phoenix Neoclassical #256
    ~~~~~~~~~~~~~~~~~~~
    If you're gonna walk on thin ice, you might as well dance!

  6. #1256
    Registered User otterly2k's Avatar
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    hey... if the name is on the forehead, I guess that puts the flowerpot square on the nose, right?
    Karen Escovitz
    ~~~~~~~~~~~~~~
    Otter OM #1
    Brian Dean OM #32
    Old Wave Mandola #372
    Phoenix Neoclassical #256
    ~~~~~~~~~~~~~~~~~~~
    If you're gonna walk on thin ice, you might as well dance!

  7. #1257

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    The #007 is now started .
    European spruce top , carbon fiber rod for the neck , sycamore maple for the side and the one piece back .
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  8. #1258

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    Other view
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  9. #1259

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    I tested a new technique for drawing the cutting of the fretboard, with a ribbon stuck and a permanent marker ,
    it work well .
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  10. #1260
    Ben Beran Dfyngravity's Avatar
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    is it the angle or is that neck wider than standard french guy? looks great though!!!

  11. #1261

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    Dfyngravity , probably the angle of picture , because
    all mesurements are standard .

  12. #1262
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    French Guy....you missing some sound holes? going for traditional f's? I think some s holes would be pretty sweet on that one.

  13. #1263

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    mandoman15 , the soudholes will be make soon and will be this form
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  14. #1264
    Hester Mandolins Gail Hester's Avatar
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    Here’s my latest. The F5 has Red Spruce and a one-piece Red Maple back. The H5 style mandola has a one-piece top made from a huge old chunk of Sitka and the back is one-piece Western Big Leaf Maple. Here are the fronts.
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    Gail Hester

  15. #1265
    Hester Mandolins Gail Hester's Avatar
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    ...and the backs.
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    Gail Hester

  16. #1266
    Violins and Mandolins Stephanie Reiser's Avatar
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    Wow, Gail! Really great workmanship, and I love that wood.
    Is a one-piece back harder to work with? or more expensive?
    Very nice!
    http://www.stephaniereiser.com then click mandolins

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  18. #1267
    Hester Mandolins Gail Hester's Avatar
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    Thanks Stephanie. One piece plates are not harder to work other than there is no built in center line so you have to establish one early on and keep track of it. So far I have not been charged more for one piece backs but I’m sure it depends on your supplier and the availability.
    Gail Hester

  19. #1268
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    here's something in progress.... i've been experimenting with alternative bridges, heres number three, it's cherry with oblique compensation, i strategcally drilled the holes to remove mass while retaining strength. it's very light (lighter than my loar style bridge) and looks pretty cool. I found that this brdge amped up the upper register in all areas, the hjighs are brighter louder and have more sustain, unfortunately my lows seem to have gone down the toilet, the lows are dull and volume-less, and have no sustain, they just go thunk, and i dont mean the good kind....what would attribute to this, the bridge was made to my best ability to be symmetrical, and it was fitted perfectly to the body. anyway, just an ongoing experiment....anyone else have anything in the bridge deparment in an ongoing state???



    you maynoitice that i have broken an e string, and chipped the slot out, this occured after i ran my diagnostic test..



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  20. #1269
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    i have since chucked this bridge in favor of teh traditional one, but i will continue to experiment, i'm thinking, ebony topped maple in a similar design, but perhaps a little more delicate

  21. #1270
    Registered User ellisppi's Avatar
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    Her are 3 mandos that I plan on having at IBMA, finished hopefully. Hope the photo isn't too arty
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    Tom H. Ellis
    Ellis Mandolins
    Austin, TX
    http://www.ellismandolins.com

  22. #1271
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    french guy, those soundholes are gonna be killer, nice!

  23. #1272
    Formerly F5JOURNL Darryl Wolfe's Avatar
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    Over 100,000 views on this thread. Loar picture of the day is not far behind either
    Darryl G. Wolfe, The F5 Journal
    www.f5journal.com

  24. #1273

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    mandoman15, neat idea on the bridge. Your picture just inspired an interesting idea: a tunable, adjustable bridge. I'll be back with that thought.

    Here's the new F peghead design. Going to do it on an upcoming A as well...






  25. #1274
    Professional History Nerd John Zimm's Avatar
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    Nice peghead design OldTymer. To my inexpert eye it looks modern, old-fashion, with a hint of the standard f5 peghead, all in one. I wish I had your talent.

    -John.
    Ah! must --
    Designer Infinite --
    Ah! must thou char the wood 'ere thou canst limn with it ?
    --Francis Thompson

  26. #1275
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    Tom Ellis,great looking trio,glad to see your producing mandos again.Had the good fortune to play an older one of yours and thought it was fantastic sounding and looking.

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