Haha - very good.
Haha - very good.
I am currently waiting on Jacobson #34 and Hilburn #65. All I can think of to describe how I feel about it is embarrassment of riches. Here are a few photos of Hilburn #65. If you read Jim's thread about wood imperfections you will be familiar with the back of my mandolin. That blonde OM's loss was my sunburst A's gain.
Nice miters, Peter!
Thanks Skip.
Just acceptable
[QUOTE=Pete Jenner;1320686]Miters well do some binding.
http://www.mcdonaldstrings.com
The Mandolin Project on building mandolins
The Mandolin-a history
The Ukulele on building ukuleles
High praise indeed from a master Mr Mac.
Here's a redwood one in progress, killer sound. For Dominic Orrico.
Hi Ken,
Does he make the Orrico tailpieces?
Mike
Those who think they should think, like they think others think they should think, need to think out their thinking, I think.
No envejecemos, maduramos. -Pablo Picasso
Last edited by Steve Sorensen; Sep-11-2014 at 11:13am.
Hey Dan, great job on your build. I followed most of it on facebook. Have fun with the next build!
We received an interesting set of maple from American Specialty Hardwoods. It is a book matched piece of maple that has gone through a torrefication process. I have purposely not read a whole lot about it as I don't want to develop any preconceived notions of how this wood will sound in a build. I'm simply going to build it as I would any other mandolin, feeling how it flexes and graduating as necessary. I'm going to be pairing it up with some wonderful western red cedar that Spruce Bruce over at Orcas Island Tonewoods has. He has some of the greatest cedar in at the moment and I wish I could buy it all up. I'll also be binding this in regular flame maple so that the contrast between regular and roasted maple will be really interesting to look at. Finally, the hardware will be a gold James tailpiece and a set of Robson tuners. In the second photo, I wet it down so you can see the color when wet. We will be finishing it "blonde" so that color in the photo will be the approximate color once finished.
Thanks Max! I find this building thing very addicting and I real enjoy the process except all the wood removal by hand on the plates. I am actually building a duplicarver before I start my next build to take some of the stress of my hands from gouging and grind out so much of the wood. I know you use a CNC which I would like to acquire someday. Bruce Harvey has some real nice tonewoods. The mando I just finished is all from wood I received from him.
Max does that golden colour go all the way through the wood or is it a surface effect?
It is the same color all the way through. I've got a couple of pieces of ash that were done with the same process only longer. Those pieces are almost as black as ebony and the color runs through the whole board. From what I heard, they put the wood in a chamber and pump all the oxygen out of the chamber. They then heat up the chamber somewhere around 400 degrees for several hours. Also smells like bacon. Sanding should be fun.
Make sure you have bacon sandwiches handy or you'll be hungry all the time.
My 5 string OM Solidbody
http://darrylicshon.4t.com/cgi-bin/p...w_album/261351
Ibanez 70's 524, 521, 3 511's,2 512's,513,1 514,3 80s 513's, 522
J Bovier F5-T custom shop
Kiso Suzuki V900,
The Loar lm600 Cherryburst
morgan monroe mms-5wc,ovation
Michael Kelly Octave Mandolin
Emandos Northfield octave tele 4, Northfield custom jem octave mandolin 5 octave strat 8
2 Flying v 8, octave 5, Exploryer octave 8 20"
Fender mandostrat 4,3 Epip mandobird 2,4/8, Kentucky. KM300E Eastwood mandocaster
Gold Tone F6,Badaax doubleneck 8/6
The hot green chile/mandolin gene splicing program is proceeding quicker than the chile/octave, but we're working on it. Wishing there were true maples here and not just the box elders.
Now that's funny right there.
Charley
A bunch of stuff with four strings
here's one I'm building for Orrico.
Bookmarks