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Thread: 1 or 2 Piece Back?

  1. #1
    Registered User LKN2MYIS's Avatar
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    Aside from the visual aspects involved, are there any other differences between having a one piece back as opposed to a two piece?

    Are there any tonal differences?

    AND . . . .

    In guitars, it's usually believed that a two-piece back is stronger than a one piece. Is this true in mandolins?


    I appreciate your help. I just ordered a custom, and this is one of the decisions I have to make.

    (I did a Search and read what it came up with, but didn't really answer my questions.)
    John
    Long Island, New York

  2. #2
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    Mostly, the reason for one or two piece backs is the size of the wood.
    There are, of coarse, visual differences, but no tonal differences.

    I don't think two piece backs are stronger in any instrument.

    I think you should base your decision on looks and the preferences of you're builder.

    (My $.02)

  3. #3
    Registered User LKN2MYIS's Avatar
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    Thanks for the input. I did discuss it with the builder, and his opinion was that there was little tonal difference, and it was pure aesthetics.

    Coming from a guitar background, as I stated, it's believed that the 2 piece back is for strength (aside from how difficult it must be to get a piece of wood big enought for a guitar back.)

    I'm leaning towards the look of the one piece back, just want to make sure that I'm not aware of any concerns.
    John
    Long Island, New York

  4. #4
    Registered User PaulD's Avatar
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    As a woodworker I agree with John that there should be no improved strength in a 2 piece back on a flat instrument plate. In fact you run the risk that the joint is not properly prepared and will be weaker than a comparable 1 piece plate. I don't have experience to speak to the tonal differences. Simonoff in his F5 construction book seems to indicate that for an arched back the grain orientation of a 2 piece back can add to the instrument, but I'm not clear on whether he's talking about structure or tone and I don't have the book in front of me. It basically has to do with how he can orient the long grain of the wood to follow the arch.

    I do like the symmetry of a nicely figured bookmatch, but a nicely figured piece of wood looks good by itself too.

    Paul Doubek
    "... beauty is not found in the excessive but what is lean and spare and subtle" - Terry Tempest Williams

  5. #5
    Mark Jones Flowerpot's Avatar
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    Lots of good information in this thread, including some minor disagreements between some very reputable builders:

    one-piece vs two-piece backs

  6. #6
    Registered User LKN2MYIS's Avatar
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    Paul -
    The instrument will be an F4. Then is Siminoff recommending a 2 piece back?
    John
    Long Island, New York

  7. #7
    Registered User PaulD's Avatar
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    The book I'm referring to is "Constructing a Bluegrass Mandolin," and he specifies a 2 piece back but I think it's for aesthetic reasons. He does specifically tell how the grain should be oriented for the back, and IIRC he specifies the wood be cut off-quarter. I'll look at it when I get home and see if there are any more "clues" as to his reasoning.

    pd
    "... beauty is not found in the excessive but what is lean and spare and subtle" - Terry Tempest Williams

  8. #8
    Registered User LKN2MYIS's Avatar
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    This is all incredibly fascinating for a neophyte like myself.

    Pair it with the excitement of waiting for a mandolin to be built, and it feels like Christmas already!
    John
    Long Island, New York

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