Hopefully banjos are next
http://www.cnn.com/video/#/video/tec...cnn?&hpt=hp_c2
Hopefully banjos are next
http://www.cnn.com/video/#/video/tec...cnn?&hpt=hp_c2
I am a fairly technical guy and I can't figure out, from that video anyway, how the gizmo works.
-Trust a simple song. ---Marty Stuart
The entire staff
funny.... Sort of funny....Sort of funny also
The only hint is something like the string tension is maintained. I would also like to see how it would work for a mandolin. I guess it would have to be installed as a tailpiece replacement. Price BTW for std 6 string electric bridge is $330.
I can't see how it would work for acoustic flattop guitars unless it replaced the bridge/saddle/bridgeplate altogether. I think they would have to redesign. And violin would be a challenge, too.
More info here: Evertune
Jim
My Stream on Soundcloud
Playing lately:
Brentrup A4C -- 1915 Frank Merwin Ashley violin -- 1904 Embergher Type 3 -- 1937 Gibson L-Century -- 1939 Gibson L-00 -- ca. 1890s Celebrated Benary Banjo -- 1985 Monteleone Grand Artist Mandola
The designer told me it was just for electric guitars, at least when i interviewed him last May. I specifically asked him about mandolins -- and harps, for that matter -- and he said they weren't on the radar (not enough market to make a profit and they hadn't moved the theory to acoustic instruments). It is all about the string tension, which includes compensation for bending and other string play. It's a pretty ingenious thing. I can see if my notes were more specific on how it works if anybody cares and I still have that notebook hanging around.
--------------------------------
1920 Lyon & Healy bowlback
1952 Strad-o-lin
1983 Giannini ABSM1 bandolim
2006 Rogue (my toy)
2009 Giannini GBSM3 bandolim
2011 Eastman MD305
Size and weight would make it problematic to install on an acoustic instrument. On a flat-top guitar, where the strings anchor at the bridge, it would sit on the top and probably significantly inhibit the top's vibration. On an arch-top guitar with floating bridge and tailpiece, it could probably be modified to fasten to the tailpiece or to the guitar rim, less detrimental to top vibration.
Electric solid-bodies, which are basically a board with strings attached, afford many more opportunities for device installation, since vibration of the "board" is not as crucial to the instrument's sound.
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
In the video the guy from Evertune (owner? inventor? sales rep?) says that they would be capable of keeping any instrument in tune: violin, piano, etc. maybe that was theoretically.
Jim
My Stream on Soundcloud
Playing lately:
Brentrup A4C -- 1915 Frank Merwin Ashley violin -- 1904 Embergher Type 3 -- 1937 Gibson L-Century -- 1939 Gibson L-00 -- ca. 1890s Celebrated Benary Banjo -- 1985 Monteleone Grand Artist Mandola
I looked at the Evertune web site. Currently, these are only for electric guitars; presumably they are working on other instruments. It replaces the bridge and saddle with a mechanism that maintains constant string tension, even when other factors change, such as temperature and humidity. Tuning is affected by string length, string mass, and string tension. Since length and mass are pretty much constant, the tension is what you are adjusting to tune it. By keeping the string always at the same tension, Evertune keeps it in tune.
Because it is metal, it does have some mass, but they said it does not weigh all that much. It looks like mounting it to an acoustic instrument would be the challenge. We'll have to see what they come up with on that.
About 5 or more years ago there was an electric guitar being promoted that had a tiny servo motor for each string, programed to a built in electronic tuner to do the same thing. It did not catch on. I guess we will see how this one works out.
Charley, you are talking about the Gibson Auto Tune.
Last edited by Bill Snyder; Aug-31-2011 at 10:42pm.
Bill Snyder
Not in the market; here's why:
1) Fortunately I don't need one of these. It was in tune when I bought it.
2) Eric Weissberg tuned it twenty years ago. I'll never need to tune it again.
3) OK, I admit it. I tune it once a month, whether it needs it or not.
4) All of the above.
Listen. This won the Popular Science invention of the year award in 2010. It has to be the real deal.
But that's just my opinion. I could be wrong. - Dennis Miller
Furthering Mandolin Consciousness
Blues Mando Social Group
Gibson Mandolins Social Group
North Florida Mandolin Players Social Group
Rundgren and Rothberg occupying nearly one point in the space-time continuum; this on the occasion of her birthday 5/4
35 years ago we frowned when Japanese motorcycles shed the kickstart, leaving them totally dependent on the electric starter; about 25 years before that the same changes to cars caused brows to furrow. It's called progress.
The technology to make the Evertune work is plainly available, and for now, the company keeps the price high. In a few years a derivative version of its simple design (the company guys themselves say it is simple) could well be on every electric guitar sold, and by then adding only ten or twenty bucks to the purchase price. And if that is the case, you can bet that versions will appear on acoustic instruments, mandolins included.
ron
Nothing can keep a banjo in tune.
Dave H
2001 Paul Shippey oval hole
1917 Gibson A pumpkin top
1914 Vega Whyte Laydie style R tenor banjo
Eastman 615 mandolin
Eastman 615 mandola
2011 Weber Bitteroot A5
2012 Weber Bitteroot F5
If it works well, it seems like good product to me,
Ivan
Weber F-5 'Fern'.
Lebeda F-5 "Special".
Stelling Bellflower BANJO
Tanglewood TW-1000SR Guitar
Tokai - 'Tele-alike'.
The principles of keeping a constant tension are as old as mechanical clocks and watches - all you need is a force independent of position on a small scale. Clocks often do it with hanging weights (not so cool on a guitar), watches have these long-wound springs. Therefore, I guess it will be some springy gadget, like some elastic Steinberger version.
the world is better off without bad ideas, good ideas are better off without the world
And it would help exactly how if trying to play in a session or ensemble with out-of-tune accordions, melodeons, oboes or pianos, for example. Or for people who use a variety of tunings? I like the versatility and flexibility my tuners give.
Gary Nava 2-point
National RM-1
Jimmy Moon OM
Fairbanks-Vega 1922 Whyte Laydie short-scale tenor banjo
Godin 5th Avenue
__________________
Without deviation from the norm, progress is not possible.
Frank Zappa
It does give you flexibility to tune it anyway you want.
Kentucky KM 140 (Sold)
Weber-Made The Loar
Eastwood Mandocaster (Sold)
Kala SMHC Concert Uke (Sold)
1912 Gibson A-1
The Loar LM 700
Washburn B8K Banjo
Recording King RA 998-E resonator
Banjos are like 1-irons in golf. Not even God will have anything to do with them. But the auto tune could help make the banjo a staple in the weight lifting room.
I don't see bluesmen ever using such a thing.
I saw Homer & Jethro once. This mandolin therapy isn't helping me get over it.
'04 Andersen A (for keeps)
Amateur Gibson F copy (for travel)
Santa Rosa student model A (for the neighbor kids)
.....the only time there's perfect pitch with banjo..... when tossed into a dumpster
only joking....
"Can I have a little more talent in the monitors please?"
On their website they make a point of the versatility it supposedly delivers, because it maintains the tuning at levels you dictate, not at 'perfect' pitch defined by frequencies and other physics I don't understand. They claim (and it sounds reasonable) that this feature makes their product more useful in the real world than electronic equivalents that keep the pitch at definitively 'correct' levels only.
The testimonials seem to come mainly from session musicians, rather than music 'stars', which suggests to me they are having trouble convincing the market of the product's usefulness.
ron
Wouldn't help me on the fiddle unless it placed my fingers for me. I need a robo-glove.
Be yourself, everyone else is taken.
Favorite Mandolin of the week: 1917 Gibson A4
My guitar already has 6 devices for keeping it in tune...
Do I really need another?
With all the brow furrowing that goes on here about whether the varnish is too thick and messing up the tone, I'm not gonna hold my breath till all you guys put one of these on your mando.![]()
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Phil
“Sharps/Flats” ≠ “Accidentals”
"All you guys?" Shoot, I'd be impressed if even one person went for it!![]()
But that's just my opinion. I could be wrong. - Dennis Miller
Furthering Mandolin Consciousness
Blues Mando Social Group
Gibson Mandolins Social Group
North Florida Mandolin Players Social Group
Rundgren and Rothberg occupying nearly one point in the space-time continuum; this on the occasion of her birthday 5/4
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