Unless maybe you've seen it in real life which is very possible with this mandolin. I have, a long time ago but I have seen it. In reality it isn't the best one I've ever seen as far as condition goes either from memory or from the photo. They're not selling a mandolin here they're selling a souvenir.
Personally,I'd spend more for the hat than I would for the mandolin.
I hope Jimmy took good care of this F4.
In about 1969 Jimmy came into the Clear Spring American Legion in between sets at the carnival. He still had his guitar from the show. Someone at the bar asked, "play us a tune, Jimmy?" Jimmy slammed the guitar on the bar and said, "here, you want a tune, you play one?" Maybe that made the guitar worth even more. I was only 10 yrs old so I do not remember if it was his infamous guitar.
Wonder what the back of that F4 looks like.
Bob
re simmers
Like this.Wonder what the back of that F4 looks like.![]()
Gail Hester
I'm glad he had someone else playing the mandolin at the carnival!
Bob
re simmers
1. And what were you doing in a bar at age ten?
2. Pic of the F-4's back in this 2005 thread.
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
I'll pass!
1999 Buckeye #18 (Bucky)
1987 Flatiron Festival A blackface (Edgar)
198x Flatiron pancake mandola (no name)
Jimmy was apparently prone to mood swings and bumped heads with quite a few people. Probably why he never became an Opry member. We might call it something like manic depressive these days, back then the technical term was P.I.A.
I wouldn't have hardly known my Grandfather if they kept me out of the bar when I was a kid. That wasn't a bar it was a Legion Hall --a private club so to speak --like the Elks. Different rules, different places when it comes to drinking laws. Where I grew up a kid could be in a bar with their parents if the bar served food --then there was another law that said that every bar has to serve food. Some bars had nothing but a couple of rusty cans of soup and a hot plate but if someone could get their head up off the bar long enough to say they were hungry,well there was soup! I never knew how the rules worked but I was playing in bars regularly from the time I was about 13. There might have been rules about that, but it never came up.
Those were the days: Jimmy slamming his guitar. The Osborne brothers in a Chevy wagon with the bass on top. Lee Moore, the coffee drinkin night hawk. Porter Wagner, Roy Clark, Connie Smith. Dad took us to the Legion in between sets because he couldn't stand the carnival, and he wanted a beer. We'd get to shoot pool and play shuffleboard and listen to old men bet $20 over things like naming the faces on all paper money, naming all the presidents, etc. If we behaved he'd take us back to the carnival in time to get french fries before the next set.
Bob
re simmers
Nancy Lee Park, woman I used to sing with, started playing in local bars at age 14. Rule here was that one of her parents had to be with her; her dad Al and mother Elsie used to take turns as chaperone. By the time she and I started playing together, she was 19 and a "veteran" bar musician. Those were the days of 18-year-old drinking age, but Nancy never took a drink. Great singer, great slide guitarist -- great hijack...!
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
Somebody with some actual feedback just bid a hair over a buck forty three, only to be chumped by someone with an 11 history.
Gunga......Gunga.....Gu-Lunga
Yeah, it's pretty obvious that the zero history and 11 history bidders submitted a very high bid so that whenever somebody "real" bids, their autobids kick in and keep jacking the price up. You'd think that people with that kind of cash (if the bidders are real....) would know the first rule of ebay: NEVER put in a bid until the last couple hours or so of the auction as the auto-bid feature will just keep jacking the price up, and up and up......great for the seller, lousy for the buyer...
NP
2002 Bussmann F4
1999 Weber Bridger A
1917 Gibson Alrite D
"There's three kinds of people in this world, those that are good at math and those that aren't."
Personally, I wait until the last 30 seconds before I bid on anything ... could be a $1 CD or a $3000 mandolin ... why drive the price up?![]()
I do the same thing, but in reality the last bidder bids his/her max bid so it could be higher than what you put in. I do the snipe thing but put in the max I want to pay which translates to the price above which i would feel fine walking away and not winning the auction. Of course, the psychology of the auction also factors in the fight between two insane bidders which jacks up the price beyond rational.
Jim
My Stream on Soundcloud
Playing lately:
Brentrup A4C -- 1915 Frank Merwin Ashley violin -- 1904 Embergher Type 3 -- 1937 Gibson L-Century -- 1939 Gibson L-00 -- ca. 1890s Celebrated Benary Banjo -- 1985 Monteleone Grand Artist Mandola
F4 question. How unusual is it for an F4 (1923) to have a one-piece back?
NH
You guys following this yet? $149,100 and still not meeting the reserve ...![]()
This is 100% factual and 100% real. Serious Bidders only PLEASE.
THAT should do it........
Jim
My Stream on Soundcloud
Playing lately:
Brentrup A4C -- 1915 Frank Merwin Ashley violin -- 1904 Embergher Type 3 -- 1937 Gibson L-Century -- 1939 Gibson L-00 -- ca. 1890s Celebrated Benary Banjo -- 1985 Monteleone Grand Artist Mandola
Crazy money.... I would never have described Jimmy Martin as a major, influential, mandolin player....
I guess if you're a big enough Jimmy Martin fan with a big enough wallet it means something to you. Not me though.
Makes me wonder what someone might pay for Sam Bush's Hoss (though I hope it doesn't come up for sale for many, many years of course!)?! Or Dawg's Loar (although he's used various different mandos hasn't he? - perhaps his Monteleone as on the iconic Quintet 80 album would have a fair old user derived increase in value...
Oh well whatever floats your boat...
Marc
Linksmaker
Dawg is most known for his mid 20'd Fern. Hoss has a long way to go before it goes to market. Jimmy Martin is known for this one
F4 and if the bids so far are legit then the market value has already been placed. They could run the same ad maybe this time with a photo of Jimmy holding the mandolin again for another month to bring in those buyers that are out on their annual world cruise and missed this time around but I think it's over for the most part and we know the value today. If I were those boys I know what I would do.
Too bad they didn't put a Buy It Now option on the auction.
Cabin Fever String Band, National Pike Pickers
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