I've always played out of scale shapes and that seems natural to me. I know quite a few play out of chord shapes, tho. I'm just curious which you use and why and if you changed from one to the other somewhere along the way. I'd like to work on playing out of chords but find it so foreign after 30+ years of scales. Yes, i know about the books covering this subject.
transitioning , melodically from one defining chord to another comes to my feeble mind, ( or whats left)
I loves you <PO>-rG'y chording on the 'PO' leading up to it with single melody line and going from there to #the next important measure /beat, don't let them <t'AKE> me.. # reference is'nt to old is it?
then use the scale harmonzation MmmMMmo M ,Major m minor o diminished in double stopschemes..
writing about music
is like dancing,
about architecture
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