What do you prefer?
When fitting a strap to the mandolin--F5 style--where do you fit the strap for best balance? On the headstock, under the strings at the nut end or attach at the scroll on the body? Both for playing sitting and standing?
What do you prefer?
When fitting a strap to the mandolin--F5 style--where do you fit the strap for best balance? On the headstock, under the strings at the nut end or attach at the scroll on the body? Both for playing sitting and standing?
Hi Mike
I've never seen an F style with a strap anywhere other than on the scoll and all the angst exposed by these fora seems to concern where to attach straps on mandolins without scrolls.
Ray
(A mile or so outside the Peak District!)
Scroll.
Soliver arm rested and Tone-Garded Northfield Model M with D’Addario NB 11.5-41, picked with a Wegen Bluegrass 1.4
Scroll for an F ........
I love hanging out with mandolin nerds . . . . . Thanks peeps ...
Scroll.
Mandolins are light enough that you might get away with above the nut, but personally, I wouldn't do it. Neck joints are too fragile and string tension is too high for me to be comfortable with that location.
Do some of our builders may have a more educated opinion about this? I'm interested.
-- Don
If y'all knew how hard it was to carve and bind a scroll, you wouldn't be wrapping shoelaces around 'em. I bet you a whole dollar that Andrew Mowry cringes every time he sees one of his instruments with a strap around the scroll, but he's just too nice of a guy to say anything.
But...but....that's the way Bill did it.
There are some who would argue that a scroll has no other function than for somewhere to fix a strap. + I've never seen an F with a strap button.
All mandolins tend to be a tad neck heavy & to swing downwards,maybe some more than others. Mine do,but it's no problem,as i usually hold the neck steady with my left hand anyway, to avoid them swinging down & hitting anything / anyone.
Marty - Why would Andrew Mowry be against attaching a strap to the scroll ?. Does Andrew really consider it to be a 'no-no' ?.
Adam Steffey played a Mowry with a scroll strap & a huge hunk of top finish missing as well. Whilst i'm commenting,i can tell you that Tom Ellis was far from thrilled when i told him that the original owner of my Ellis "A" style had screwed a bass guitar button onto the side of the neck - his comment would have peeled paint !.
I've always used soft leather straps on a mandolin & the scrolls on my 'F' styles are still like new,
Ivan
Weber F-5 'Fern'.
Lebeda F-5 "Special".
Stelling Bellflower BANJO
Tokai - 'Tele-alike'.
Ellis DeLuxe "A" style.
Perhaps I'm in the minority, but I love worn out looking instruments. If I built them, and saw they looked like Sam Bush's or Mike Marshall's, I'd be delighted the owner had logged that many hours playing it to death.
Getting angry about installing a strap button or whatever seems a bit silly to me.
Soliver arm rested and Tone-Garded Northfield Model M with D’Addario NB 11.5-41, picked with a Wegen Bluegrass 1.4
Granted, I've not played an F-style, but I like the "behind the nut" rather than "under the fingerboard" location on my A styles. It gives more control of the instrument, and I can't imagine how hard one would have to tug on the strap to hurt the neck joint.
As Ivan mentioned, mandos tend to be top heavy (those metal tuners!), so why waste energy and compromise your posture to hold it up with your hand when you can use your hand for that?
Mandolins: The Loar LM-220; Lyon & Healy Special A #103; Epiphone Mandobird VIII
Violins: 19th century German Steiner copy; NS Design WAV 4; NS Design WAV 5; Reiter Alien II 7-string
Videos: https://www.youtube.com/user/Ausdoerrt
I use the headstock for best balance, but not behind the nut. It is too close and gets in the way, I go behind the tuners. Depends on the string height off the headstock as to which tuners I use, but go at an angle behind at least the first tuner, never in the way.
THE WORLD IS A BETTER PLACE JUST FOR YOUR SMILE!
Yeah, tuners vs nut doesn't make much difference in balance, just personal preference. Somehow, I like the feeling of the strap against the hand; works as a sort of tactile marker as well.
P.S. I suppose on the F style mid-headstock makes more sense given its shape.
Mandolins: The Loar LM-220; Lyon & Healy Special A #103; Epiphone Mandobird VIII
Violins: 19th century German Steiner copy; NS Design WAV 4; NS Design WAV 5; Reiter Alien II 7-string
Videos: https://www.youtube.com/user/Ausdoerrt
My late friend Buzz Busby never used a strap at all....When I asked him to play my F-12 one night at a show just so I could hear what it sounded like when someone else played it the first thing he did was remove the strap, tucked it up under his chin and away he went...I can play like that but not all night, I need a strap and on the A model that I had I installed a strap button under the heel where the neck meets the body. perfect balance on that mandolin...
I wasn't trying to speak for anyone, sorry if I made it sound like that. My point is just that carving a scroll properly is a lot of work. Andrew's are some of the best IMHO, and if I owned one of his, I'd try to keep it looking just as pretty as the day it was carved. As we've seen, instruments can last hundreds of years and hopefully f-style mandolins will, as well. I spent too much of my career designing ephemeral garbage, and one of the things I like about lutherie is that these things are more permanent than most of the possessions we own. Of course anyone can do whatever they like with their stuff. It just seems like a shame whenever I see the ridge of a nicely carved scroll worn down by a strap.
It pains me more to have to put a strap button on an A5 heel, so I'm fine with the shoelace around the scroll Just as long as it's not barbed wire.
Andrew Mowry
Mowry Stringed Instruments
http://mowrystrings.com
Also visit me on Facebook to see work in progress and other updates.
Evan Marshall I see, uses the other Scroll Out on the headstock of His Gilchrist F5.
holds it relatively High .. tailpiece is the Arm rest.
Tie the cord around headstock My A4, Usually just sit in a Chair ( heel button, Mix CF A5;
Mariachi strap hooked in sound hole of Hodson D'Jangolin)
writing about music
is like dancing,
about architecture
I've owned a lot of mandolins over the years. In every case they either had a scroll or no-scroll but with a strap button on the heel.
I recently bought an Altman two-point that came to me with a strap that circled the headstock under the tuners. Never having dealt with that particular situation before, I called Bob Altman to ask what he thought about me adding a heel button. He basically told me to put that idea out of my mind. I certainly honored his request.
I'm hoping a luthier can chime in here, to tell us precisely what the problem is with a heel button, since, after all, so many instruments do come with them. Is it aesthetic? mechanical? or both?
My BRW oval hole has a heel button, and I have to say that I actually prefer using the button to tying up the headstock. A button makes it so much easier to put the strap on, and take it off the instrument. Mandolins don't weigh very much, so the discussion about proper balance seems kind of moot to me.
Explore some of my published music here.
—Jim
Sierra F5 #30 (2005)
Altman 2-point (2007)
Portuguese fado cittern (1965)
I hope some luthiers chime in as well. Coming from the guitar world where heel strap buttons are commonplace it's hard for me to understand the strong objections that I hear about mandolins. I've had 3 custom guitars built and all had heel strap buttons installed by the builder.
Rich
2015 Passernig A5 #76
2016 Pava Pro A5 #197
Scroll
On many mandolins, I'm not sure there's enough room to put a strap beyond the nut between the strings and head. I guess one could use split leather but that's waaaay to flimsy and there's no way I'll put a strap button anywhere in that area.
Anyway, like Ray(T) hinted at earlier, what else is the scroll good for?
David Hopkins
2001 Gibson F-5L mandolin
Breedlove Legacy FF mandolin; Breedlove Quartz FF mandolin
Gibson F-4 mandolin (1916); Blevins f-style Octave mandolin, 2018
McCormick Oval Sound Hole "Reinhardt" Mandolin
McCormick Solid Body F-Style Electric Mandolin; Slingerland Songster Guitar (c. 1939)
The older I get, the less tolerant I am of political correctness, incompetence and stupidity.
I use the ''strap under'' method on my Ellis,& it hangs exactly like my "F" styles with a scroll strap. In fact,the strap emerges from under the extension in exactly the same position as a strap on the scroll. The Ellis seems to be better balanced to a degree because of the lower headstock weight,
Ivan
Weber F-5 'Fern'.
Lebeda F-5 "Special".
Stelling Bellflower BANJO
Tokai - 'Tele-alike'.
Ellis DeLuxe "A" style.
My Kimble A5 came with a strap button fitted from new so, clearly, not all luthiers subscribe to the "never fit a strap button" camp.
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