Would it affect the value of a good all original vintage Gibson to scoop the fretboard extension?
Would it affect the value of a good all original vintage Gibson to scoop the fretboard extension?
Rob G.
Vermont
Yes. Does that mean you shouldn't do it? No, I did mine because it made it easier for me to play. If the value of the instrument is your primary concern then don't do it.
Good advise Mike. I bought an F5-G used some years ago that already had the extension scooped. I was fine with it as it saved me from doing it. When I sold it, the new buyer seemed happy as well about the scoop.
I used to have a Ratliff that had an abbreviated fingerboard extension and I thought that was a great design. My current Daley F and Collings A both do not have the "Florida" extension so pick click is never an issue.
Cabin Fever String Band, National Pike Pickers
The value is definitely not my primary concern but I have to be a bit concerned about it, yes. Is it a big deal do you think? This instrument is in extremely good condition - one of the best I've seen - but its just a teens paddle head A4. My gut feeling is that it would not hurt the value one iota - but I'm not sure. If its not a big huge deal I'll probably do it.
Rob G.
Vermont
Chris Thile had a new fingerboard installed on his Loar, and had the fingerboard "scooped". If the old 'board is put back on later, will that reduce the value? Will the fact that it is "the Thile Loar" raise the value? Who knows...
...but anyway, I think a truly "vintage" piece should have a replacement fingerboard if it is to have a "scoop", then originality can be restored by putting the old 'board back on. A side benefit might be better intonation too.
John Hamlett
www.hamlettinstruments.com
This instrument has been re-fretted recently. What kind of money roughly to replace the board?
Rob G.
Vermont
Probably a few hundred dollars. If you have it done, be sure to have it done by someone who is experienced with (and good at) that sort of thing.
John Hamlett
www.hamlettinstruments.com
why do you need to scoop the extension on an A4 mandolin?! i think this whole pickin', clickin', scoopin', scallopin' thing has gotten way out of hand... i think i can even recall a time when no-one even gave it a thought... oh yeah, that's right... it was yankin' out Virzi's back in my day...![]()
I'm going to be contrary (what else is new) and say that if it is in extremely good shape, don't touch it. I have a '16 A4 and it's in nearly perfect shape. I wouldn't do anything to it.
Hey now, Glassweb, warn't it you who decried the existence of the little thingy down there, sayin' who needs it/wants it/gots to have it?
Heck, I agree - it's the appendix of the mandolin world.
Its on the way to me now. I'm just anticipating an issue. Maybe it will be fine. If it is as it was represented it will be in virtually perfect original condition. But, we all know how that goes. We'll see soon. I think I detect a slightly bent tuner shaft or two. We'll see.
Rob G.
Vermont
Oh, you don't have the mandolin yet so you're essentially "borrowing trouble" with the extender. I bet you won't have a problem with "pick click" anyway. A/F4 extenders are not as long as F5 extenders.
Also, I agree with the others above who think it would be best left alone if it's in great shape.
John Hamlett
www.hamlettinstruments.com
That's a pretty A4! It looks to be in great shape and I would leave it original. That fingerboard won't get in your way. and if for some weird reason it does, you can probably modify your picking hand a little to avoid it. I'm usually a proponent of modifying an instrument to make it comfprtable for you to play. But in this case I just don't see how that extension could be an issue.
Shaun Garrity
http://www.youtube.com/user/spgokc78
You'd be crazy to mess with it; it won't be in the way of the sweet spot like it can be on a 5, and it looks super clean and original.
I stepped up on the platform, the man gave me the news;
He said: "You must be joking son, where did you get those shoes...."
"Your man doesn't sound so good!!"
Miles Davis to his drummer (ignoring guitarist John Scofield, who he had just brought in for an audition)
http://scottlearmonth.tripod.com
Yep, it looks like a good, well kept mandolin.
I'm not really an expert on those things, but I've never seen a Gibson fleur-de-lis inlay like that. Of coarse they were hand cut, and the cutter therefore had some artistic freedom, but what do the experts think, is that an original inlay?
John Hamlett
www.hamlettinstruments.com
With as good looking as that instrument is, I would try and adjust my playing and not modify it. But, it's yours. If I were to modify it I would replace the board and keep the original for future sale but, even that will impact it's value. Adn you can be sure I would pay to have someone with experience on these older Gibsons do the work.
Jamie
There are two things to aim at in life: first, to get what you want; and, after that, to enjoy it. Only the wisest of mankind achieve the second. Logan Pearsall Smith, 1865 - 1946
+ Give Blood, Save a Life +
It looks right to me John. To my eye it fits in to the 1915-1916 era.is that an original inlay?
I have never heard a complaint about the small A4 fretboard extension getting in the way, no one has ever asked me to scoop one or build one without it.
Gail Hester
I did some browsing through the archive (what a resource!) and yes, it does look right for the early ones. 7 pieces rather than the 4 pieces of the later ones.
John Hamlett
www.hamlettinstruments.com
Yea, I was probably getting worried about something that won't be an issue. Sorry for that.
Rob G.
Vermont
I had my eye on that one too Rob. It appears to be a great example.
I would be interested in knowing after you receive it it if is in as good a condition as it appears.
I was very tempted also but I resisted bidding on it.
If it turns out to be as good as it looks then I would not scoop the board.
Yea, I hemmed and hawed a lot. I had the money in my pocket because I just sold a few things in preparation for a new mando - so I was primed and ready. I am a little worried - I'll admit that. I kept saying to myself - "Its to good to be true". But in the end I pushed the button. I couldn't resist. The seller had lots of musical instrument transactions all with great feedback. So took a chance. I'm praying I don't get burned. My expectation frankly is that it is going to need some playing to bring the tone out. I just hope I don't end up with a money pit.
I'm already beginning to feel the burden of being the custodian of the instrument. My goal was to buy a mandolin to play - not a museum piece. Don't worry folks, I won't be scooping it. I will probably play it, mostly just in my home, but I will take good care of it.
I think I'm getting a little ahead of myself. I don't even have it in my possession yet.
Rob G.
Vermont
My new Paris Swing has a fretboard extension. First one I have ever struggled with. What a pain, its right under the sweet spot.
But it is an integral part of the aesthetics of the instrument, I am not going to mess with it.
-Trust a simple song. ---Marty Stuart
The entire staff
funny.... Sort of funny....Sort of funny also
Last edited by woodwizard; Oct-30-2009 at 1:27pm. Reason: added my A4 pics
I Pick, Therefore I Grin!
1918 Gibson A4
2006 Gibson F5 Goldrush
2011 Martin HD-16R LSH
Bookmarks