Here's an econo with a monster sound, spruce top, oil varnish, one piece back, red maple.
Here's an econo with a monster sound, spruce top, oil varnish, one piece back, red maple.
Ken B. Ratcliff
Nice touch, Ken!
What part of the country is this one headed?
This one goes to Mo. It sure sounds good, I'd like to see how it sounds in a month or so, from the way it sounds already, it's a monster.
Ken B. Ratcliff
Hi Ken,
I'm not a luthier, but I follow this stuff closely as a hobby. Do you do anything beyond staining with black and sanding to bring out the figure? I realize this may be one of those things where you could tell me, but you would have to kill me. I don't need to know quite that bad, but I'm curious.
No killing! Just curious.
Seriously, you did a good job of bringing that figure out. Good work.
Lee
Well I use several colors and Neets foot oil, 0000 steel wool and my hand. Seems as though it's never the same way though, just however I feel like doing it.
Ken B. Ratcliff
Nice looking mandolin. Great finish.
' There is no substitute for PRACTICE"
http://inlinethumb08.webshots.com/33...200x200Q85.jpg
Ken - another great looking mandolin. Seems like most of your 'econo' versions of late do not have a lacquer finish. (Which I think was a finish offered to keep the econo-mando series so nicely priced!)
Are these oil-varnished mandolins ordered that way, or are you also offering econo mandos with both oil and lacquer finishes at slightly different price points?
Mine oil varnish finish still looks great - only some 'natural' distressing thus far after almost four years! - Mark
"The more I learn, the more I realize how ignorant I truly am..."
Mark, the econodistressed has oil varnish. I've been making almost all econodistressed lately, it's a better deal. Thanks,
Ken B. Ratcliff
Ken, Beautiful work as always! I love your distressing; lit looks very authenic!
Hey Ken, I was poking around inside #285 with a dental mirror just out of curiosity and saw a few lines of writing that had "......" at the end like it was a short paragraph or something, but I couldn't make out what it said. Are these just notes about the plates? Did you used to brace with tone bars sometime in the past then switch to X bracing?
Ken Ratcliff Silver Angel #285
hey mandohack, don't pay any attention to that writing in there. That came from some old violin that I opened up one time from the 1700's that had some writing in it about the life of the maker. I just thought it was interesting and might be for somebody else down the road too. Sometimes I write in Spanish, sometimes English. Sort of "What's going on at the time".
Ken B. Ratcliff
Well, now that I know it's in there I can't keep from wondering about it. Next string change I might pop the top off to take a closer look.Maybe it's the mystery writing that makes it sound so darn good. And I thought it was those little F-holes!
Ken Ratcliff Silver Angel #285
well, I'm afraid that might void the warranty! ha ha....![]()
Ken B. Ratcliff
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