Re: f-style as american icon
That's a bummer to have missed a chance to pick a song for the young man working in your home to expand his horizons to a tradtional American music form that grew out of the roots of the Celts in Appalachia and the Blues of the south. A quick analogy would be to Mariachi in Mexico, Choro in Brazil. Since our country is a melting pot with and our largest growing immigrant population comes from Latin America and Mexico, if you wish to keep the music you so love in the American consciousness, it is our jobs as mandolin players to be ambassadors for the instrument and styles. Anytime I tell someone something is too complicated to explain, I tell them a) they're not smart enough to understand and b) never ask anyone about this again. I see those as two coffin nails in keeping a culture alive. Your culture is only as alive as the next generation's grasp on it.
Looking at the Smithsonian's museums I don't see a great fit for a permament display of American Folk Music in one. A limited exhibit in the Castle would make sense. If you guys really want to see the Orville mandolins, should probably add the Washburns, L&H's, and Martins to the list, on display you need to organize and work out a way to get donated (or loaned instruments) into a collection that could be exhibited. Perhaps this could be an excellent collaboration between students of art history, design and, music from schools like ETSU (those with a Bluegrass program) or Berklee. These are our museums, we can influence what kinds of exhibits are available.
To the OP's question again, yes the archtop mandolin and it's Florentine cousin, American Mandolin now being made all over the world... America, Canada, Czech Republic, China, Korea, Australia, Japan, England, Scottland, France, Italy the list goes on!
Jamie
There are two things to aim at in life: first, to get what you want; and, after that, to enjoy it. Only the wisest of mankind achieve the second. Logan Pearsall Smith, 1865 - 1946
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