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Thread: Transposing/transcription

  1. #1
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    A recent post here mad me think. Why not ask a mando player?

    This is a copy of what I posted on the Sibelius site/

    "I bought G7 so I could transcribe standard notation for classical mandolin. Any tips on how to get piano music onto the mandolin. The low note on a mando is open G so I have been trying to use that as the base, not bass, but then sometimes the notes on the highest e string get over the 12th fret. I can play the 14th but only for a short passage because the short scale length of the mandolin makes it sound tinny. I could drop that an octave, but are there some other ways, i.e. use 3rds or a fifth on harmony notes, that are above G if you know what I mean.

    I have been working on the Aria from the Goldberg variations and would like to figure out a way to play the bass notes that would occur on the on the G sting somewhere else so I can strum it with the E string, again play a third or fifth instead of octave or is that cheesy?

    The mandolin is tuned G D A E like a violin"

  2. #2
    Registered User ApK's Avatar
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    I think there's some basic tenant of information theory that says you're not going to be able to directly map all 11 octaves of a piano onto the 3+ of a mando, so don't try. You're not really asking a matter of transposition or transcription, your asking about creating a different arraignment. I know there are a bunch of talented arrangers here who have offered good rules of thumb for choices on a mando, but I think this is truly more art than science.




  3. #3
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    Well see, there you go, I'm so dumb I don't know the difference between transcribe, transpose, and arrange......that's why I need some big time help

  4. #4
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    I don't know about dumb- you're clearly ahead of most of us if you are reading and playing above the 12th fret.

    I've always had this intuitive idea that when someone writes for a certain instrument, they are thinking in terms of exploiting the characteristics of the instrument. When I started getting serious about mandolin, I began reworking fingerstyle blues pieces to play on the mando. Some work, some don't, but even the ones that work don't work as well as they do on the guitar- they are still fun to play, but there are compromises.

    Same thing, I'm sure, pertains to a piano to mandolin transfer, and it's probably far more challenging. But no doubt fun if you are inclined to try it.

    Rick

  5. #5
    Registered User ffpizza5's Avatar
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    maybe this is what you're looking for...

    <span style='font-family:Courier'>Tuning : G D A E Time Signature: 3/4

    &#124; # # # &#124; # # # &#124; # # # #&#124; # # # &#124; # # # &#124; # # # #&#124; # # # &#124; # # # &#124; # # # #
    &#124;3-------3-------5-5---7-&#124;5---3-2-0---------------&#124;------------------------&#124;
    &#124;------------------------&#124;------------5-----------&#124;--------0---0-0-0-------&#124;
    &#124;----------------0-------&#124;4---------------0-------&#124;5-5-------4-------5-4-5-&#124;
    &#124;0-------4---------------&#124;--------2---------------&#124;9-------0-------6-------&#124;

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    &#124;0-----------------------&#124;5-------5---------------&#124;----5-3-2---0-----------&#124;
    &#124;--4-5-2-2---0-----------&#124;------------------------&#124;--------2---------------&#124;
    &#124;--------11------2-------&#124;----------------0-------&#124;----------------2-------&#124;

    &#124; # # # &#124; # # # &#124; # # # #&#124; # # # &#124; # # # &#124; # # # #&#124; # # # &#124; # # # &#124; # # # #
    &#124;3---5---2---------5-----&#124;------------------------&#124;------------------------&#124;
    &#124;------------5---3-----3-&#124;2-----------------------&#124;2-------2-------4-4---5-&#124;
    &#124;2-----------------4-2-4-&#124;------4-4---5-5-------4-&#124;----------------2-------&#124;
    &#124;----5-------4-2-0-------&#124;0---2---4---------------&#124;0-------4---------------&#124;

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    &#124;5-4-2-0-5---------------&#124;------------------------&#124;--------5-2-5-5-4-------&#124;
    &#124;----------4-2---4-------&#124;2-------2---2---4---0---&#124;----0---2---------------&#124;
    &#124;2-------0-----------4---&#124;----4---------------0---&#124;6-----------4---2---0---&#124;

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    &#124;--------5---0---------3-&#124;2-0---------5-4---------&#124;5-4-2-0-----2-------4---&#124;
    &#124;4---------------0-------&#124;----5-4-2-------2-------&#124;4-------2-----4-5-------&#124;
    &#124;--------2---------------&#124;0-------4---------------&#124;2-----------------------&#124;

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    &#124;5---------0-5-4-4-5-----&#124;------------------------&#124;------------------------&#124;
    &#124;--5-4-2-4---------------&#124;------------------------&#124;------------------------&#124;</span>


    we're all in this together
    Conrad

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